Showing posts with label 1800s. Show all posts
Showing posts with label 1800s. Show all posts

Saturday, 14 January 2017

Diana talks to... Jacqueline Reiter




Jacqueline Reiter has a PhD in late 18th century political history from the University of Cambridge. Born into a diplomatic family, she has long looked upon history as a fixed point of reference in a peripatetic life. A professional librarian, she lives in Oxford with her husband and two children.
Her exciting book about John Pitt has just been released by Pen and Sword books The Late Lord and is available from them now or is available to pre order from Amazon.
"John Pitt, 2nd Earl of Chatham is one of the most enigmatic and overlooked figures of early nineteenth century British history. The elder brother of Pitt the Younger, he has long been consigned to history as 'the late Lord Chatham', the lazy commander-in-chief of the 1809 Walcheren expedition, whose inactivity and incompetence turned what should have been an easy victory into a disaster. Chatham's poor reputation obscures a fascinating and complex man. During a twenty-year career at the heart of government, he served in several important cabinet posts such as First Lord of the Admiralty and Master-General of the Ordnance. Yet despite his closeness to the Prime Minister and friendship with the Royal Family, political rivalries and private tragedy hampered his ascendance. Paradoxically for a man of widely admired diplomatic skills, his downfall owed as much to his personal insecurities and penchant for making enemies as it did to military failure. Using a variety of manuscript sources to tease Chatham from the records, this biography peels away the myths and places him for the first time in proper familial, political, and military context. It breathes life into a much-maligned member of one of Britain's greatest political dynasties, revealing a deeply flawed man trapped in the shadow of his illustrious relatives."

Hi Jacqueline, I am so delighted you have agreed to talk to me! and I am equally sure that you are tired of being asked the usual interview questions, so hopefully this interview is an interview with a difference and I have come up with some unusual questions!

First things first I am sure there is a question that you have always longed to be asked. Now is the chance. Ask your own question and answer it! Gosh. Ask the hard ones first, why don’t you? All right. Could you ever see yourself writing something other than history? – Honestly? No. I’ve always written stuff, but was pretty aimless and random until history dropped on me like a ton of bricks at the age of 11. I spent three happy years reading about the English Civil Wars and Charles II until I discovered, in quick succession, the 18th century and political history. That was over twenty years ago (gah) and I frankly can’t see me moving on any time soon.

If your latest book, The Late Lord: the life of John Pitt, 2nd Earl of Chatham (Pen & Sword History, 2017) was adapted into a TV show or a film, who would you like to play the lead role? It would have to be a documentary, unless someone decided to make a biopic รก la “The Duchess” or “The Imitation Game”. Either way, Lord C would have to be played by someone tall, thin and dark. Matthew Goode would be a pretty good fit, if he is capable of playing “anti-hero” adequately. (Eddie Redmayne has been “cast” as Chatham’s brother William Pitt the Younger in my head for a long time now.)

What made you choose this genre? I’ve always written both fiction and non-fiction in tandem: I have written four dissertations over the past fifteen years (one 70k, two 30k and one 10k), all while attempting to hammer out a novel or two. When I finally finished my novel, I submitted it to a publisher at the recommendation of a friend. The publisher told me they liked it, but didn’t publish fiction: if I was willing to turn it into a non-fiction book, however, they would consider it. I wrote up a proposal, they liked that too, and the rest is – quite literally – history.

I often say I don’t think there’s much difference between good historical fiction and good historical non-fiction, apart from the referencing. Both should be built on the same sources, both should tell an interesting story, and both should be relevant and instructive. Both require leaps of faith and calculated guesses: the non-fiction may, however, use “perhaps” a little more often.

How do you get ideas for plots and characters? I read until something or someone grabs me by the lapels and shouts at me to write. I can’t really explain what it is that attracts me. I have to have that “zing” or it simply won’t work.

If, as a one off, (and you could guarantee publication!)  you could write anything you wanted, is there another genre you would love to work with and do you already have a budding plot line in mind? I’m quite happy to stick in the history non-fiction genre, and I have a list of subjects I’d like to work on as long as my arm. A return to historical fiction would be an obvious one here. Perhaps a timeslip novel: as someone with a foot in both present and past, I do feel an affinity with those.

Was becoming a writer a conscious decision or something that you drifted into (or even something so compelling that it could not be denied?) How old were you when you first started to write seriously? I already kind of answered this. Writing very definitely chose me. I can still remember covering reams of paper as a child and stapling them together into booklets. I wrote my first novel when I was 11. It was really, really, really bad. I tried to get a historical novel about Charles I published when I was 14, also pretty bad, although much better than the one I wrote when I was 11. My second attempt to get published was at the age of 18. I’ve finally got there at the age of 37.

Marmite? Love it or hate it? I’m indifferent. Wouldn’t choose it, but if offered a slice of bread with marmite on, I will happily eat it.

Do you have any rituals and routines when writing? Your favourite cup for example or ‘that’ piece of music...?? I have small children, so have learned to write wherever/whenever. I get up at 5, make myself a great deal of coffee, drink it, and write as much as I can till 7 or the kids get up (whichever comes first). On writing days I then return to writing at 9:30. I’ve learned not to listen when my muse tells me he’s not in the mood: I kick him in the shins and usually he then behaves. It can be a drag, but hey, I wrote a book like this, so it works. I have no rituals as such, but, when I’m editing, I mark up my MS in pink pen. That’s the only real ritual I have.

I promise I won’t tell them the answer to this, but when you are writing, who is more important, your family or your characters? I won’t lie – it’s always a wrench to tear myself away from the writing after I’ve spent so long immersed in another world. But if the house were burning down, I’d save the kids before my laptop. Probably.

Other than writing full time, what would be your dream job? Historical interpretation/living history. I’ve done it before and it’s so much fun.

Coffee or tea? Red or white? Both coffee and tea, although not simultaneously. By red or white, I presume you mean wine? I don’t drink, alas.

How much of your work is planned before you start? Do you have a full draft or let it find its way? With “The Late Lord”, I had to write up a synopsis and a set of chapter headings for my proposal. That was pretty much the only plan I had. I did sketch out each chapter before writing it though.

If you had free choice over the font your book is printed in, what font/fonts would you choose? Something with serifs.

Imagine that you could get hold of any original source document. What would it be? OH MY GOD. You can’t ask a historian this question. It’s cruel. If I must answer, then let it be Lord Chatham’s correspondence with his wife. I know it existed once.

Have any of your characters ever shocked you and gone off on their own adventure leaving you scratching your head??? If so how did you cope with that!? Not exactly, but I’ve often found Lord C saying and doing things he really shouldn’t be, according to the accepted historical record. Some of it I didn’t like much. Hey ho, the sources don’t lie (… or do they?).

How much research do you do and do you ever go on research trips? Research isn’t quantifiable, but as my biography is the first ever written of Lord Chatham, we’ll go with “I had to do quite a lot”. Research trips are the best thing about historical research. This particular project took me to archives all over the UK, including London, Belfast and Edinburgh. I spent a week in Gibraltar (take me back!), and cycled twice with my husband to Holland to visit relevant historical sites.

Have you ever totally hated or fallen in love with one of your characters? Anyone who knows me will tell you that I have totally succumbed to “biographer’s Stockholm syndrome”. (I hope I’ve been balanced in my writing though!) I refer to Lord Chatham as “John” or “my boy” and have stopped worrying about it now. When he was four, my son announced, quite seriously, “John lives in our house. He’s Mummy’s friend and he’s dead.” Am hoping he never told his teacher about this interesting domestic arrangement.

What do you enjoy reading for pleasure? Anything historical, really, either fiction or non-fiction.

What drink would you recommend drinking whilst reading your latest book? Lord Chatham would recommend claret or sweet sherry. I wrote it fuelled by coffee, so that might give you a better flavour.

Last but not least... favourite author? Sharon Penman, Lindsey Davis or Terry Pratchett.

 Jacqueline, I have really enjoyed this. Thank you !!
 

© Diana Milne January 2017 © (Jacqueline Reiter, 2017)

 

 

 

 

 

 

 

Sunday, 18 September 2016

Diana Talks to Charlotte Betts


I was fortunate enough to catch up with Charlotte Betts in the lift at HNS16 - the Historical Novel Society conference that was held this year at Oxford. Charlotte was one of the people who were making everything run smoothly and enabling us to enjoy the conference, but she was kind enough to answer a few questions.

Charlotte is one of those enviable people who always looks immaculate and I could only admire how she always looked as beautifully presented however harried she must have been feeling.

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Charlotte Betts discovered a passion for writing after her five children had grown up and left her in peace. Demanding careers in hotel design and property force her to be inventive in finding time to write but she has achieved seven novels in eight years. One of her short stories was published in Scribble and others short-listed by Writers’ News and Real Writers’. She has won first prize in five short story competitions and wrote a regular column on interior design for The Maidenhead Advertiser for two years. She is a member of WordWatchers http://www.wordwatchers.net/ and the Romantic Novelists’ Association.

Charlotte, I am sure that you are tired of being asked the usual questions that would be interviewers ask authors, so hopefully this interview is an interview with a difference and I have come up with some unusual questions!

If your latest book The House in Quill Court https://goo.gl/Lw4Ure was adapted into a TV show or a film, who would you like to play the lead role?

I had to think hard about this. I’d like Carey Mulligan or Lily James to play Venetia, though both have brown eyes instead of blue-green. The heroine’s spirit and personality is more important here than the colour of her eyes. Perhaps the actress could wear coloured contact lenses? Aidan Turner doesn’t have blue eyes either but would in all other respects be perfect as Jack, the hero. I’m sure you ladies will agree with me on this!
(Note by Diana: Does 'anyone' ever look at Aidan Turner's eyes???? :-) )

If, as a one off, (and you could guarantee publication!) you could write anything you wanted, is there another genre you would love to work with and do you already have a budding plot line in mind?

I’d like to write a really dark psychological thriller. Alternatively, a series of detective novels about a quirky detective who lives somewhere exotic. I don’t have any particular plots in mind because, if I did, I’d become so involved with it I’d have to write the story. I don’t need any distractions at present from producing one historical novel each year!

Do you have any rituals and routines when writing? Your favourite cup for example or ‘that’ piece of music...??

I always have a bone china mug of tea at my side – I hate thick mugs! I prefer to write somewhere quiet, though I’ve learned to tune out of background noise, such as in a coffee shop or on a train. I rarely listen to music as it’s too distracting, though I have been known to put Sounds of the Sea on my i-pod to drown out conversation. My most important ritual is to daydream, usually when walking the dog or at the point of falling asleep. That’s when my plot gets sorted.

What is the worse book you have ever read? What made it unreadable for you?

I couldn’t possibly comment! I would hate another author to quote one of my books as being the worst book they’d ever read so I’m not going there.

What makes a book unreadable for me it to find it full of grammatical errors and spelling mistakes. Even if you tell a terrific story this sloppiness shows a lack of courtesy to the reader. It’s not hard to find professional editors who will correct these mistakes. Then there is waffle. I want a story written in clear, beautiful language that makes me look at life differently and teaches me something new. I dislike apathetic characters and improbable plots. I could go on …

Other than writing full time, what would be your dream job?

I used to have my own interior design business, which was my dream job. I loved (almost) every minute of it. It’s necessary for my wellbeing to be creative in one way or another. I am incredibly fortunate to be able to write full time now and this satisfies that requirement for creativity.

Coffee or tea? Red or white?

I need tea, builders’ tea, on an hourly basis for the creative Muse to sit on my shoulder egging me on. I enjoy a glass of white wine sitting in a sunny garden and a glass of red by a fireside but, if I was forced to make a choice between tea and wine, then tea would win.

If you had free choice over the font your book is printed in, what font/fonts would you choose?

Any font that is clear and unfussy. I want people to read my story not admire the font.

Imagine that you could get hold of any original source document. What would it be?

The diary of someone who lived in whichever period I’m currently writing about. It could be written by a servant or a queen because both would contribute their own view of society at that time. A queen’s maid might give an insight into the lives of both.

Original sources are incredibly valuable to the author. Samuel Pepys’s diary was my bedside companion for years when I wrote three novels set in the seventeenth century.

Historical fiction authors have to contend with real characters invading our stories. Are there any ‘real’ characters you have been tempted to prematurely kill off or ignore because you just don’t like them or they spoil the plot?

It is sometimes annoying when a real historical person won’t conveniently die to suit my plot but it’s up to me as the writer to create a story that fits the facts. The manuscript I’m currently working on has part of the plot revolving around Caroline of Brunswick. Her life events meant I had to make my fictional part of the story cover a much longer period than I’d have liked.  

Are you prepared to go away from the known facts for the sake of the story and if so how do you get around this?

I always adhere to the facts. When I’ve chosen a particular point in time as the setting for my story I research the events carefully and write these out as the ‘skeleton’ of my story. Then I weave the story I want to tell through this, bending the fiction to fit the fact and never the other way around.

It’s important to me that my readers can be confident I’m not ‘messing’ with history. When I read historical fiction I like to learn about history and would be disappointed if I discovered the story wasn’t correct. Of course, facts can be subjective. For example, in the case of a battle, the story is often written from the victor’s point of view. A German soldier might have written a very different account of a WWII battle than that of a British soldier.

Do you find that the lines between fact and fiction sometimes become blurred?

I spend a year or more thinking about and writing a novel and to make it real to me I daydream a great deal. Since I always identify with my heroine, after a while I feel as if I’m living a parallel existence. Sometimes I have to stop and think where I am! It’s as if I have a tiny television screen in my mind and I watch the story in all its detail but if something isn’t working I roll back the film and rewrite it. Daydreaming is a valuable and powerful tool for an author.

Have you ever totally hated or fallen in love with one of your characters?

Always! If I don’t hate my villain and love my heroine it’s unlikely my reader will feel strongly about them.

What do you enjoy reading for pleasure?

Whilst I read historical fiction I also like mysteries and psychological thrillers such as those by Nicci French. I’m a sucker for recipe books as I love to cook. I re-read books I’ve had for years: Mary Stewart, Dick Francis, Robert Goddard and Jean Plaidy. I also get a buzz from whatever research book I’m reading. If I didn’t, I doubt I’d write historical fiction.

What drink would you recommend drinking whilst reading your latest book?

I should probably say a glass of negus or ratafia but the answer has to be, whatever the reader enjoys most. For me, of course, it would be a ginormous cup of strong tea. No sugar, please.

Last but not least... favourite historical author?

There are too many to mention but I shall begin with Tracy Chevalier, Philippa Gregory, Anya Seton, Elizabeth Chadwick, Judith Lennox, Diana Gabaldon …

Diana, thank you for inviting me to be interviewed for The Review. I’ve enjoyed answering your thought-provoking questions.

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Charlotte's latest book, The House in Twill Court, is available in both Kindle and paperback editions and has had some exceptional reviews

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© Diana Milne July 2016 © (Charlotte Betts August 2016)