Sunday, 6 November 2016

Diana talks to - Julia Faye Smith




Hi Julia, I am sure that you are tired of being asked the usual questions that would be interviewers ask authors, so hopefully this interview is an interview with a difference and I have come up with some unusual questions!

If your latest book Twilight of Memory was adapted into a TV show or a film, who would you like to play the lead role? No question about it, Matt Damon. Both as young Henry and as an older Henry, he would be perfect.

 
*
If, as a one off, (and you could guarantee publication!)  you could write anything you wanted, is there another genre you would love to work with and do you already have a budding plot line in mind? No, not in another genre.  I would just like to write the world’s best historical fiction! Ah, well. (You have made an excellent start there!!)

*
Do you have any rituals and routines when writing? Your favourite cup for example or ‘that’ piece of music...?? Not really, but I am not very productive in the morning hours, so that’s when I take care of errands, housework, etc. As empty nesters my husband and I are free to set our own schedules (most of the time), so for me, it’s A.M. ‘whatever’, and afternoon is devoted to research and writing, etc.

*
What is the worse book you have ever read? What made it unreadable for you? Not just one book, but almost every book written by the wildly successful Danielle Steel. My husband and I once owned a book store, the Book Nook, which was the home of the best easy chairs and ugliest lamp in the world. The lamp should have been in a bordello! Think “Best Little Whorehouse in Texas” style. I felt I needed to read as many of the best sellers as possible. I could not read Danielle’s work without rolling my eyes, groaning, and constantly asking, “Why is she repeating that. We got it the first time!” She repeats, repeats, and repeats backstory as if we readers cannot retain the info for more than a few pages. That being said, I absolutely loved her Granny Dan and The Ring! Whenever her name comes up I jump to recommend those two.

*
Other than writing full time, what would be your dream job? At this point in my life I would love to be the female Rick Steves! Short of that, a travel writer for us ‘older’ folks.  I did have another profession; I was an educator, (history, reading, English) for 35 years.
*
If you had free choice over the font your book is printed in, what font/fonts would you choose? I love script, but I know it is hard to read, so I would be reasonable and go with one of the common, more readable fonts…Georgia, Calibri, etc. (Wonderful choices. I love Georgia and Plantagenet Cherokee and almost always use one or the other!)

*
Imagine that you could get hold of any original source document. What would it be? A love letter from Thomas Jefferson to Sally Hemmings or visa versa. But of more interest to me on a personal level would be a journal written by my 3rd great-grandmother as she packed up her Tennessee Walking Horses and headed south after the death of her husband in the war of 1812. She was the founder of our family in a new state. We’ve been quite prolific! Equally as desirable would be a journal written by my husband’s great-grandmother as she left Italy in 1906 and came to America with her husband and three children. Theirs’ became the ‘great American success story’, much more than my family’s story, but both would be wonderful.

*

Historical fiction authors have to contend with real characters invading our stories. Are there any ‘real’ characters you have been tempted to prematurely kill off or ignore because you just don’t like them or they spoil the plot? No, not a one, but once I am finished with my fictional characters I have no problem polishing them off, often rather quickly, if needed.

*
Are you prepared to go away from the known facts for the sake of the story and if so how do you get around this?  I will not go away from the facts when they are fundamental to the story. For instance, In ”Twilight of Memory,” I would not change any fact as relating to the battles the 10th Mountain Division fought in Italy. With painstaking research guiding me, I wanted to stay as true to the facts as possible. Only my fictional characters, when not part of an actual historical moment, can wander around.

*
Do you find that the lines between fact and fiction sometimes become blurred? In the past the lines have been easily delineated, but in my ongoing effort, I find that fact and fiction sometime fight each other and I have to make some concession to move the story forward.  But going back to your previous question, I suppose I am contradicting myself. I find in this new work that I am bending the facts somewhat, but that’s okay because this work is based on family history…I can change, bend, eliminate, etc my family history to fit the big picture, but again, never actual history.

*

Have you ever totally hated or fallen in love with one of your characters? I fell in love with the subject of my recently published “Something to Prove, A Biography of Ann Lowe, America’s Forgotten Designer.” Ann, the granddaughter and great-granddaughter of former slaves, was born in a small Southern town during the days of Jim Crow…laws that severely restricted African American citizens’ rights. One would NOT expect Ann to become the design darling of America’s highest realm of society, but she achieved it. She even designed the gown Jacqueline Bouvier wore when she married John F. Kennedy. Ann defied all odds, but died banckrupt and today is known only by a few.

In “Twilight of Memory,” I loved Henry for his gentleness and Daisy for her unflappable belief in her love for Henry, even when it seemed improbable.  In a children’s book that I have written, “The Lovely Alligator”, I love the old man trying to find a lovely alligator for his granddaughters.  He should be every child’s grandfather.

*

What do you enjoy reading for pleasure? Oh my, dare I say it? Historical fiction! Almost any time period, but I do generally read by time periods for several weeks or months at a time. At the moment WWI and WWII, both on the home fronts and in the battles, are at the top of my reading list. For several years I devoured everything Plantagenet and Tudor. Before that, early American history.

*

What drink would you recommend drinking whilst reading your latest book? For Twilight, drink a robust Italian wine or one of the newer Colorado wines. For my work in progress, it might take something stronger!

*

Last but not least... favourite historical author? Oh gosh, I think it depends on the time period I’m reading at the moment. I’ve been reading Allison Weir and Susan Higginbotham for as long as I can remember. I’ve actually given my granddaughter the same Allison Weir novel three times, forgetting that it is the same one I’d previously given her.  Then, of course, the early works of James Michener. I read John Jakes’ novels the moment each one was published. What a great early American history without a text book. I must admit that after one, either number 4 or 5, there was a great long wait. I was most impatient and upset. Then I learned that he had serious health problems during that period!

Back to the question, for today, I’m enjoying M.K. Tod because she paints great pictures and is easy to read and I love WWI and WWII. And I love everything by Susan Vreeland. For young adult/middle grades historical fiction, no one surpasses Ann Rinaldi.

Still, with all that said, the best historical fiction I’ve read in the past two-three years has to be Alyson Richman’s The Lost Wife.  Oh, my. Her descriptions and story drew me in and held me. I spoke so highly of the book that a neighbour asked to borrow it. Two weeks later she sheepishly brought me a new copy. Why? (I wanted my original copy because it was underlined in so many beautiful places.) She explained that she was reading and cooking at the same time and spilled shrimp juice on my copy. Ack! Do you know how awful old shrimp juice can smell!

(Sorry, Julia, I laughed out loud. Does that make me a very bad person??)

Thank you for a wonderful talk, Julia. I hope you enjoyed that as much as I did.
 

Biography:
Julia Faye Dockery Smith, a native of Alabama, attended local public schools in Tuscaloosa. She began her writing career in the 7th grade at Tuscaloosa Jr. High when she won a writing contest. On stage to accept her reward, $25.00, she was asked if she wanted to say anything. She replied, "Someday I will write a book."
She completed her undergraduate degree at the University of Montevallo, receiving a degree in education with an English major. She received her master's degree in education with an emphasis on reading from Colorado State University.
After beginning her teaching career in Florida, she married a journalist and took several years' hiatus to raise three children. She returned to the classroom in Colorado and completed her 34 years of teaching in Georgia classrooms.
She and her husband, Jim, currently live in Florida with two of their three children and all five of their grandchildren. Their third child lives in Texas. Faye and Jim enjoy travelling, writing, research, and most of all family.
Julia's books are all available here
© Diana Milne July 2016 © Julia Faye Smith September 2016

 

 
 
 
 
 
 

 
 
 

 

 

Thursday, 3 November 2016

Sharon reviews Blood of the Wolf

The author is giving away a signed copy of the book to one lucky winner. To be in with the chance of winning this fabulous novel, simply leave a comment below or on our Facebook page.
The winner will be drawn on 10th November 2016. Good Luck!



 ROBIN HOOD RETURNS! And this time the legendary wolf’s head is working for the sheriff... After winning his freedom in Rise of the Wolf, Robin – with his faithful lieutenant John Little at his side – now spends his days travelling around northern England dispensing King Edward II’s justice. When a new band of outlaws appears in Barnsdale, Sheriff Henry de Faucumberg sends Robin and John to deal with them. Before the lawmen can track them down though, Will Scaflock is attacked and another of their old companions murdered in his own home by the outlaws whose leader seems to have only one thing on his mind: Bloody vengeance! Will Robin’s reunited gang be enough to defeat this savage new threat that seeks to wipe them out one by one? Or will another old foe provide the final twist that sees England’s greatest longbowman dead and buried?
With Blood of the Wolf, Steven A McKay has definitely saved the best to last! The fourth and concluding part of his fabulous Forest Lord series sees Robin and his band of Merry Men reunited and embarking on one final adventure together, facing a most formidable foe; a new and particularly vicious band of outlaws. This book has everything: suspense, action and enduring friendships that are tested to their limits. Old and new enemies make the reader eager to see Robin win through, and a few surprises along the way make this a thoroughly entertaining and gripping novel.
It leads you on a desperate chase through  the forests, in the halls of the Sheriff's castles and into the villages of England in the time of Edward II.




The story develops quickly and Robin and his men, pardoned by the king three years ago, soon find themselves outlaws again - and facing the nastiest outlaw imaginable. The easy camaraderie of Robin's merry men in previous books is lacking at the beginning and a great part of the story and atmosphere of the book depends on the men rebuilding their relationship.

Robin knew he needed to make a statement here, so , when they locked arms, straining against one another, he wasted no time in the usual staring-out contest that started such a fight. With lightning speed, he brought his hands inside Arthur's grip and broke it, knocking the other man's arms away, then he simply stepped past Arthur, set his foot, and used his shoulder to trip the smaller man.
"Wahey!" someone cheered and there were a few laughs but Arthur rolled and jumped back to his feet instantly. He was breathing harder than he should have been though and Robin could see his opponent really did need practise. He'd never have been winded at this stage of a wrestling match four years ago.
Without waiting for that "come on, then" gesture, Robin came forward again, and again, they grabbed hold of one another. This time Arthur was more careful, and also even more irritated, and he tried to spin around Robin so he could lock his arms around him and haul him down but, as he moved, Robin grabbed his hand and twisted. The move ended with Arthur's arm locked agonisingly behind his back.
Normally, Robin would have left it at that and let his opponent tap to concede but not this time.
Pulling up even further on his arm, he forced Arthur onto his knees on the grass and held him there for longer than was really needed.
He was sending a message though, wasn't he?
"Enough," Arthur shouted through gritted teeth, trying to offset his humiliation by laughing through the pain. "I yield. You win!"
Still Robin held him and turned to stare at the onlooking men. They looked back at him and he was sure they understood what was happening.
They remembered why he was their leader....


The first book in the series, Wolf's Head, recounted the story of the young and adventurous, 18-yeear-old Robin Hood. Rise of the Wolf and The Wolf and the Raven continued the adventures of Robin and his band. By Blood of the Wolf Robin is older, wiser and a little more jaded by time and experience. But, deep down, he still has a sense of adventure and a desperate desire for justice. Robin is still the flawed hero, driven by his sense of justice and a love for friends and family. Although a little more cynical, Robin's relationship with Little John is constant and solid, but in Blood of the Wolf other friendships are strained and Robin has to work hard to repair the damage done by recent actions and the passage of time. Will Scarlet is as headstrong as ever, but approaching middle age, it takes him a while to get back to his old feisty self. But once they're working as a team again, it's the bad guys who have to watch out! As for the Sheriff of Nottingham - well, you'll have to read the book....

While the action is never-ending, it is the underlying story of personal relationships and friendships that make the book; they dictate the actions and reactions of the main characters and give this novel a deeper story than its predecessors.
Set in Barnsdale Forest during the reign of Edward II, Steven A. McKay's Forest Lord series have been a refreshing new take on the Robin Hood legend and Blood of the Wolf  continued this fabulous idea. At the end of the day, Robin has to face old and new adversaries, and in the dark woods of Barnsdale Forest and the desperate poverty of its surrounding villages he has to face the fight of his life.
The book is incredibly well written, the fight scenes expertly choreographed and the storyline exquisite, with several twists and turns along the way, leaving the reader entranced to the very end.








Steven McKay was born in 1977 near Glasgow in Scotland. He live in Old Kilpatrick with his wife and two young children. After obtaining his Bachelor of Arts degree with the Open University he decided to follow his life-long ambition and write a historical novel.
He plays guitar and sings in a heavy metal band when they can find the time to meet up.
Website
Amazon Author page
Twitter
Facebook

Sharon Bennett Connolly has been a Review reviewer for over a year. She writes a popular history blog entitled History...the Interesting Bits and is currently working on her first book, Heroines of the Medieval World, which will be published by Amberley in the summer of 2017. You can find her on Facebook and Twitter.

Sunday, 30 October 2016

Diana talks to - Manda Scott

 

It was a true privilege to have heard Manda Scott  talk at HNS16, when she spoke on a panel with Rory Clements and Antonia Hodgson about Writing the Historical Thriller: Methods and Approaches. It was an even greater privilege that she agreed to answering a few (?) questions for me.

Thank you Manda.

1: If your latest book INTO THE FIRE was adapted into a TV show or a film, who would you like to play the lead role?


I do have this in development for television but have not got near the casting.  The lead would have to play in both the contemporary thread as Captain Inès Picaut and in the historical thread as The Maid.  I’ve always thought that Archie Panjabi would be excellent in both roles, but I barely watch television, so I’m probably not the best person to decide that. That is amazinglygood news for the many, many fans of this TV genre!

2: If, as a one off, (and you could guarantee publication!)  you could write anything you wanted, is there another genre you would love to work with and do you already have a budding plot line in mind?
I do but I’m pitching it to my publisher just now and can’t talk about it. I’ve always written in an effort to move the great ship of society/culture.  Writing history was a chance to do this - the Boudica: Dreaming series were based on the premise that ‘this is who we were, this is who we could be’ (‘We’ being the peoples of the British Isles) but I am beginning to realise that the world is not about to drop 2 millennia of Roman thinking and return to something more sustainable. So I may look forwards instead. Exciting!

3: Do you have any rituals and routines when writing? Your favourite cup for example or ‘that’ piece of music...??
I have a very set routine. I wake and do a morning ceremony which is a bit like Tai Chi and then walk/run with the dog in the local hills/woodlands where I can practice a mindful/contemplative kind of walking on the way out and think about the book on the return journey.  I have my desk set up with ergonomic keyboard/mouse (Microsoft split keyboard and Evoluent left handed mouse, for those that are interested. I’m not left handed, but I do mouse with my left). I take endless breaks. I try not to read too much else that is fiction while I’m writing but read a lot in the evenings.  I write from mid-day to about 8 pm unless there’s a reason to stop sooner.  

4: Marmite: love it or hate it?
Love it, but can’t eat it - it brings me out in a bizarre rash. 

5: Other than writing full time, what would be your dream job?
Chancellor of the Exchequer. I’m currently taking a 6 month sabbatical to do an MA in Economics for Transition (to a sustainable way of living) and would love to be able to implement it. If not that, I’d be a journalist on BBC Radio 4’s Today programme. 

6: Coffee or tea? Red or white?
None of these. I don’t do any of... tea, coffee, alcohol, chocolate or sugar. 
Total respect!

7: If you had free choice over the font your book is printed in, what font/fonts would you choose?
I genuinely have no idea. Whatever one is most readable. I’d ask my partner, who is a graphic designer. 

8:  Imagine that you could get hold of any original source document. What would it be? The full works of Tacitus. 

9: Historical fiction authors have to contend with real characters invading our stories. Are there any ‘real’ characters you have been tempted to prematurely kill off or ignore because you just don’t like them or they spoil the plot?
Not so far.  I would like *not* to have had to see Boudica die at the end of the four books, but history is what it is… 
As a devoted reader of those four books, I would also have liked her *not* to die!

10:   Are you prepared to go away from the known facts for the sake of the story and if so how do you get around this ?
Not knowingly. The point (for me) is to work with the known facts and discover how and (more importantly) why they arose
 
11. Do you find that the lines between fact and fiction sometimes become blurred?
Always.  
I’m not sure any of us knows ‘facts’.  

12:   Have you ever totally hated or fallen in love with one of your characters?
I love a lot of my characters.  The one I identify with most is Bàn, who becomes Valerius, though I was surprised the extent to which I really connected with a half Gaullish spy by the name of Sebastos Pantera. 

13: What do you enjoy reading for pleasure?
I love it I read mountains of non fiction. I particularly enjoy books on ciphers and coding.  In fiction terms, I read anything that’s good.  Really, really good.  Hilary Mantel, Andrew Taylor, Antonia Hodgeson, Imogen Robertson.  There’s so much that’s outstanding.  I recently fell in love with a series of spy novels by Adam Brookes, a former BBC correspondent.  NIGHT HERON is outstanding. 

14: What drink would you recommend drinking whilst reading your latest book?
Skullcap tea.  It’s my current favourite drink and is amazingly uplifting, but you have to keep to small doses. One mug a day. 

15: Favourite historical author.
Tthat’s hard.  Actually, that’s really, really hard. For a long time, it would have been Mary Renault: her ‘Fire from Heaven’ was my Desert Island Book.  But then Wolf Hall came along. And then Andrew Taylor wrote The Ashes of London which is just a delight.  So… any of those, really. 
 
Biography:
Author, columnist and screenwriter, Manda Scott has written thirteen novels beginning with contemporary thrillers. Her first, Hen's Teeth; was shortlisted for the Orange Prize, No Good Deed was nominated for an Edgar Award in the 'Best Thriller' category.

Having served her writing apprenticeship, she went back in time to write the four novels of the bestselling Boudica:Dreaming series, followed by their direct sequels, the Rome series (as MC Scott), featuring the spy Sebastos Pantera.

Into the Fire was published in 2015: "A Masterclass in writing Historical fiction"

Both Into the Fire and the Boudica series have been optioned for television and are under development.

She is Founder and former Chair of the Historical Writers' Association. She writes reviews and columns for the Independent, the Express, the Telegraph and the (Glasgow) Herald. She writes television scripts, blogs and is working on two non-fiction books.
 
© Diana Milne July 2016 © Manda Scott September 2016

Sunday, 23 October 2016

Diana talks to ... Catherine Kullmann


 

Catherine Kullmann—Short Biography
 
 
 

 

I was born and educated in Dublin. Following a three-year courtship conducted mostly by letter, I moved to Germany where I lived for twenty-five years before returning to Ireland. I have worked in the Irish and New Zealand public services and in the private sector. My husband and I have been married for over forty years. We have three adult sons and two grandchildren.

I have a keen sense of history and of connection with the past which so often determines the present. I am fascinated by people. I love a good story, especially when characters come to life in a book.

I have always enjoyed writing, I love the fall of words, the shaping of an expressive phrase, the satisfaction when a sentence conveys my meaning exactly. I enjoy plotting and revel in the challenge of evoking a historic era for characters who behave authentically in their period while making their actions and decisions plausible and sympathetic to a modern reader. In addition, I am fanatical about language, especially using the right language as it would have been used during the period about which I am writing. But rewarding as all this craft is, there is nothing to match the moment when a book takes flight, when your characters suddenly determine the route of their journey.

 

*

 

Catherine, I am sure that you are tired of being asked the usual questions that would be interviewers ask authors, so hopefully this interview is an interview with a difference and I have come up with some unusual questions!

If your latest book The Murmur of Masks  was adapted into a TV show or a film, who would you like to play the lead roles?

Kate Beckinsale and Aidan Turner

(Note from Diana: I know a lot of laydees who will watch if Mr Turner is involved!!!)
 
 
 

*
If, as a one off, (and you could guarantee publication!)  you could write anything you wanted, is there another genre you would love to work with and do you already have a budding plot line in mind?

Before the HNS Oxford Conference I would have said no, but after Christian Courtney’s and Anna Belfrage’s inspiring presentation I am tempted by the idea of timeslip. It is very early days yet, however.

(Note from Diana: Yes. It was totally amazing and inspiring.)

*

Do you have any rituals and routines when writing? Your favourite cup for example or ‘that’ piece of music...??

I need silence and regular cups of tea. I start by reading and editing what I wrote the previous day and follow on from there.

*

What is the worse book you have ever read? The Da Vinci Code

What made it unreadable for you? Too much superfluous content, including endless, tedious descriptions of place.

*

Other than writing full time, what would be your dream job?

There is no other. I have retired from my day job and hope to continue writing until I keel over at my desk.

*

Coffee or tea? One large coffee in the afternoon, otherwise tea.

*

Red or white? Whatever matches what I’m eating. Frequently it is a chilled Rosé as we love Mediterranean food. (Note from Diana: Me too! For me The Med is about the food!)

*

If you had free choice over the font your book is printed in, what font/fonts would you choose?

Fairfield, which is an old-style serif typeface designed by Rudolph Ruzicka and released in 1940. I have one book set in it; it is very elegant and makes for a very pleasant read. I also love the uneven page edges you get in some American hardbacks and decorated hardback covers instead of a dust jacket.

(Note from Diana: My business and consequently full time job, is selling vintage printing equipment. That is a totally wonderful choice and I applaud your excellent taste.)

*

Imagine that you could get hold of any original source document. What would it be?

A complete bound set of La Belle Assemblée for the period 1810 to 1820.

(Note from Diana: Wow! Yes! If you can, may I read it, please???)

*

Historical fiction authors have to contend with real characters invading our stories. Are there any ‘real’ characters you have been tempted to prematurely kill off or ignore because you just don’t like them or they spoil the plot?

This is not an issue for me. While real people sometimes have walk-on parts, for example Lord Byron and Colonel Colborne in The Murmur of Masks, my characters and their stories are pure fiction.

*

Are you prepared to go away from the known facts for the sake of the story and if so how do you get around this?

No. I enjoy the challenge of having my characters live in a real world shaped by known events and the constraints imposed by society in that time. I think that this sinking into the past is partly what attracts readers to historical fiction.

*

Do you find that the lines between fact and fiction sometimes become blurred?

Of course, especially when you insert your character into a major event such as the Battle of Waterloo. Unless you are writing alternative history, it is important to remain as true to the original as possible.

*

Have you ever totally hated or fallen in love with one of your characters?

No. I try to understand them and sometimes think I am too nice—I have had to go back and make my baddies more unpleasant.

*

What do you enjoy reading for pleasure?

As I am immersed in the Regency world when writing or researching, I tend not to read novels set in that period although I love Naomi Novik’s Temeraire series. I like historical fiction set in almost all periods and also futuristic/paranormal/alternative history but not straight science fiction.

*

What drink would you recommend drinking whilst reading your latest book?

A glass of dry Madeira.

*

Last but not least... favourite historical author?

This was so difficult to answer. I have picked three favourites whom I hope will write more books; Gillian Bradshaw—I love her novels set in the ancient world, Ariana Franklin’s Mistress of the Art of Death series—I hope her daughter, who finished the last one, will continue with them, and Jill Paton Walsh’s splendid resumption of Dorothy L Sayer’s Lord Peter Wimsey books.

 

Thank you, Catherine. I really enjoyed this.

 

 

© Diana Milne July 2016 © Catherine Kullmann September 2016

 

 

 

 

 

 

Tuesday, 18 October 2016

When the earth moves under your feet, a blog post by Richard Abbott

In Britain, we're used to history - and historical fiction books - where the terrain is basically the same as today. The human presence on the surface might well change, so that towns and cities grow, old buildings turn to ruins, rough tracks turn into railway lines, and so on. Or we might alter the clothing of vegetation - marshes are drained, forests felled, or fertile land turns to peaty bog. But we generally feel here in England that the bones of the landscape itself remain the same on a human timescale. We expect the land to change form only over geological timescales.

Mt St Helens before and after (USGS images)
Other people though, in other parts of the world, have a different expectation. Earthquakes, volcanoes and tsunamis can not only cause loss of life or damage to property, but can reshape the terrain. Mount St Helens was reckoned to be one of the most attractive of the Pacific Rim volcanic cones until May 18th 1980, when the eruption removed over 1/8 of the volume of the former cone. Iceland gained a new island in November 1963, when Surtsey emerged from the waves as a result of subterranean action.

But often we Brits think of that as something which happens in other lands. But actually there are signs of change in counties like Norfolk and Lincolnshire. Near to Cromer, several villages named in the Domesday Book or other more recent records are now up to half a kilometre out to sea. There is evidence that the Lincolnshire coast was, until the 13th century, protected by a chain of offshore barrier islands. The demise of these in a series of storm surges drastically altered the coastline and its vulnerability to the sea. But despite these signs here in our own land that our not-so-distant ancestors walked across a different landscape, it takes a bit of adjustment.

The geology is quite straightforward. During the last ice age, a little over 10000 years ago, a hugely heavy layer of ice pressed the land downwards, to a greater degree in the colder north than the warmer south. When the ice melted, two things happened. The sea level rose because of extra water. But also the land shifted. The land in places where the ice had been heaviest started to lift up. Outside that, further south, it started to sink down. Try placing a heavy book on a soft cushion and you'll see the effect in action.

Now, 8000 BC is not all that long ago, really - the Neolithic Age, and so the beginnings of recognisably complex society started not all that much later, around 5000 BC. And although the vertical movement of land in any one year is tiny - perhaps a few millimetres - over the course of a century it adds up. Our Neolithic and Bronze Age ancestors in some parts of the country experienced quite different terrain.

Aerial view of the Scilly Isles (Wiki)
In the north, where the land has lifted, we find settlements which used to be on the coast now stranded well above the waterline. Stone circles at the southern end of Coniston Water, in Cumbria, used to be close to an arm of the sea reaching in from Morecambe Bay, but are now over five miles from the coast.

But in the far south, in the Scilly Isles, we see an even more dramatic change as the land sinks down. During the Bronze Age, when many of the prehistoric monuments were being built, there was basically a single large island. Around that, especially to the west, there were a few scattered outposts including what we now call St Agnes, Annet, and the Western Isles. The whole central area, now a submerged area in which quite large vessels can anchor if they find the deep patches, was then a fertile plain supporting crops and animals.

Tidally submerged field wall, Samson, Scilly Isles
All that has gone - perhaps spawning tales of Lyonesse or Atlantis - but its passing has been recorded in history. Even now, low tide allows careful explorers to go well beyond the shoreline, disturbing herons and other wading birds browsing what has been left in the seaweed and rock pools. You pass by the remains of stone walls which presumably served as boundary markers, but are now submerged much of the time. At especially low spring and autumn tides, tall people can still cross between most of the islands without swimming - so long as you know where the sand bars and shallow patches are.

As well as simply projecting backwards the change in sea level, at a rate of 30 centimetres per century, we can look back at history. We know that in 1127, Tresco and Bryher were still a single island, with the two names referring simply to internal parish divisions. By 1600 they were separate, and the Grimsby Sound between them had become a sheltered haven for ships. The transition did not take many generations, and you have to wonder what the occupants made of the stories of their ancestors.The central area between St Mary's and the northern cluster of islands probably flooded around 6-700AD. On the other side of the country, ship burials were happening at Sutton Hoo.

But a change of 30 centimetres per century disguises the more dramatic way in which these events unfolded. This figure comes into perspective when you remember that the tidal range in a big spring tide on Scilly is around six metres. During a winter storm, waves coming across the Atlantic sometimes break over the top of the Bishop Rock lighthouse, some fifty metres high. The changes to separate island from island have not always been the result of a steady trickle of rising water; some will have been dramatic, cataclysmic events.

Samson, Scilly Isles - still one island at present...
This continues to happen today. It used to be reckoned that there were 146 islands in the archipelago, where an island is defined as a body of land separated at high tide and able to support vegetation of some kind. A few winters ago, this became 147, when a severe storm broke through a thin land bridge at Rushy Bay, Bryher, and converted a peninsula into an island. You look at some places as you walk around, and wonder how long they will remain attached.

From a fictional point of view, these kinds of gradual changes to the land itself offer a new storytelling dimension. Authors have explored - and I hope will continue to explore - sudden changes like the eruption of Vesuvius, or various earthquakes. Gradual change has not, I think, been used nearly so often. It could perhaps make for an interesting historical plot based on prehistoric Doggerland, in today's North Sea. Or a speculative fiction story where diminishing land serves as a variation on resource failure. It's worth remembering that the terrain we see today is not eternally fixed - even in this green and pleasant land - and has its own changing history.



About the author:
Richard Abbott is one of the reviewers at The Review, and lives in London, England. He writes science fiction about our solar system in the fairly near future, and also historical fiction set in the ancient Middle East - Egypt, Syria, Canaan and Israel.

When not writing words or computer code, he enjoys spending time with family, walking, and wildlife, ideally combining all three pursuits in the English Lake District. He is the author of In a Milk and Honeyed Land, Scenes From a Life, The Flame Before Us - and most recently Far from the Spaceports. and Timing. He can be found at his website or blog, on Google+, Goodreads, Facebook and Twitter.

Sunday, 16 October 2016

Diana talks to ... Pam Lecky




I was luck enough to be able to chat with the lovely Pam Lecky. Pam had just had some fantastic news. Her book, The Bowes Inheritance, had just been shortlisted for the Carousel Aware Prize 2016 for Independent Authors.

All of us here at The Review and all of our followers wish you the very, very best for this, Pam and really hope you do well.
Hi Pam. I am sure that you are tired of being asked the usual questions that would be interviewers ask authors, so hopefully this interview is an interview with a difference and I have come up with some unusual questions!
If your latest book, The Bowes Inheritance, was adapted into a TV show or a film, who would you like to play the lead role?



Wouldn’t that be lovely! If I could have a say in the casting it would be James McAvoy to play the male protagonist Nicholas Maxwell – I think he could do the slightly tortured and brooding scenes very well indeed. As the heroine Louisa Campbell is Irish, I would love to see an Irish actress in the role. Sarah Greene has the right look and would be perfect for the independent and feisty Louisa.
*
If, as a one off, (and you could guarantee publication!) you could write anything you wanted, is there another genre you would love to work with and do you already have a budding plot line in mind?
I adore crime novels and one of my current projects is in that genre. I’m a huge fan of Anne Perry, Deanna Raybourn, M.R.C. Kasasian – who all write Victorian crime and I grew up on P.D. James, Dorothy L Sayers, Ruth Rendell, and Elizabeth George.
I am finding the genre very challenging and the writing has taken on a different style, purely because that type of story demands it. My WIP is called The Carver Affair and is set in 1894 Dublin. It is the story of a Detective Inspector whose career is on the rise when he takes on what appears to be a very clear-cut case. But the murder takes him on an unexpected journey and forces him to face up to the ghosts of his past. Solving the case almost destroys his career.
*
Do you have any rituals and routines when writing? Your favourite cup for example or ‘that’ piece of music...??
I have to be able to visualise a scene before I can write it and there is nothing better than the right type of music to help you do that.  It would be generally classical music I would listen to when writing. Music also helps me when I get stuck, mainly because it helps me relax and the ideas start to flow again. I also have a tendency to come up with plot/dialogue either just as I’m nodding off to sleep or waking up – not very convenient I have to confess.
Apart from that, and it’s my biggest downfall, I tend to drink a lot (and I mean a LOT) of … tea. (Ah, but there is a such a thing as 'too much tea' ??? Hang on. I need to get the kettle on!)
*
What is the worse book you have ever read? What made it unreadable for you?

I’m not going to name it and I’ll tell you why. Now that I am an author I know how much goes into writing a book – the time, (the pain!) and often neglecting other areas of your life. You sacrifice a lot. I don’t post reviews for books I don’t like for that reason. You have to give the author the benefit of the doubt and maybe it’s just not my thing and others will really enjoy it.
However, if a book is badly written or is clearly an editor-free-zone, I will post a review - but it will be as constructive as I can make it. Too many Indie authors think that editing isn’t essential. Frankly, this baffles me. Recently I have been quite shocked to read traditionally published books that look as though an editor hadn’t been near them either. As an Indie author I know the cost of editing is high but I feel very strongly that if you are going to compete, you need your ‘product’ to be of a high standard and let’s face it; your reader deserves value for money too. Now, my rant is over J.
(I fully understand and empathise with everything that you say.)
*
Other than writing full time, what would be your dream job?

I would probably pursue a career in horticulture which I studied with the RHS. I designed and built a show garden a few years ago in Bloom, the Irish equivalent of Chelsea.
*
Coffee or tea? Red or white?

I think I have already answered the first one above! As for wine – neither just to be awkward – I prefer rosé.
*
If you had free choice over the font your book is printed in, what font/fonts would you choose?

As I’m Indie, I do have the choice. I generally use Garamond or Times New Roman in my POD books as they are easy to read. I use Times New Roman for Kindle as it doesn’t matter too much which font you use – the newer Kindles/Kindle apps let the reader choose the font they want. (As a seller of vintage type, this excited me so much when I first came across it!! A brilliant move forward!)
*
Imagine that you could get hold of any original source document. What would it be?
I actually did. My great grandfather’s shop and home were destroyed in the fires and looting in Dublin during the Easter Rising in 1916. I found his insurance claim to the Government in the National Archives. It was very detailed and gave a wonderful insight, both into his business and how they lived. It even included the very poignant item, ‘daughter’s trousseau’, listed as destroyed. The great aunt in question married a year later, hopefully with a new trousseau. Thankfully, the family was unharmed but it must have been a terrifying experience.  (Gosh!!!)
*
Historical fiction authors have to contend with real characters invading our stories. Are there any ‘real’ characters you have been tempted to prematurely kill off or ignore because you just don’t like them or they spoil the plot?
That didn’t arise in The Bowes Inheritance as all the characters were fictional. Some were based on real characters and real events drove the plot to some degree. I had to keep a balance between the politics and events of the time and the main thread of the story. It was important that the historical details didn’t swamp the main storyline which was a young woman’s struggle to be accepted in a new community that was predisposed to be suspicious of her.
*
Are you prepared to go away from the known facts for the sake of the story and if so how do you get around this?

I try not to. In The Bowes Inheritance I had to move one incident (time and place) to make the timeline work but everything else that happened was true to history.  I include the proviso at the beginning of the book that ‘Names, characters, places and incidents are the products of the author’s imagination or are used fictitiously’.
*
Do you find that the lines between fact and fiction sometimes become blurred?

So far that hasn’t been an issue for me as my characters tend to be fictitious with a background of real events. I have yet to include a real historical character in my work, other than in passing.
*
Have you ever totally hated or fallen in love with one of your characters?
In one of my unpublished stories (that may one day see the light of day!) one character I conjured up was quite wicked but his back story was such that he could not have turned out any other way. He was enormous fun to write but I had to kill him off. It was such a difficult decision. I couldn’t write that chapter for about a week and when I did, I think I actually grieved for him. I moped for days afterwards – I was genuinely upset! (I understand. I never was able to carry on with one MS as I knew Piet had to die, but I could not bring myself to be the one to kill him.)
*
What do you enjoy reading for pleasure?

I tend to read a lot of historical fiction – crime and romance – that is when I have the time. Unfortunately, trying to write and working part-time, means I don’t have as much reading time as I’d like.
I also read a lot for research – either history in some form or other (books/blogs, etc.) or fiction of the time. For instance, I have just finished reading James Plunkett’s Strumpet City (an incredible book, by the way) to get a feel for Dublin in 1913 during the Lock-Out.
*
What drink would you recommend drinking whilst reading your latest book?

Curl up on a window seat with the wind and rain lashing against the window, a roaring fire in the grate and a nice (large) glass of Baileys close at hand!
*
Last but not least... favourite historical author?

Georgette Heyer – she is unsurpassed for characterisation, attention to detail and humour. She is my writing hero.
This has been wonderful, Pam. Thank you very much. Shall we have that cup of tea now???
Biography: Pam Lecky originally hails from Clontarf, Dublin, and now lives in north County Dublin. A working mum with three children, a dog and two cats, her life is hectic. Pam studied horticulture with the RHS, loves music and photography, and has been an avid reader from an early age. A huge fan of historical fiction and crime, particularly when combined, she finally decided to set free the stories battling for release in her head. She has a particular fascination with all things 19th century, from food and clothes to architecture and social history. If there was time travel, she’d be the first to sign up and there are no prizes for guessing what time period she’d travel to.
The Bowes Inheritance is her debut novel, and is available as an ebook or paperback on Amazon. It has been shortlisted for The Carousel Aware Prize 2016 and was longlisted for the Historical Novel Society Indie Award 2016.
You can learn more about Pam, her book and follow her blog at Pam Lecky or follow her on Twitter @pamlecky.

 

© Diana Milne July 2016 © Pam Lecky September 2016