Showing posts with label 20th century America. Show all posts
Showing posts with label 20th century America. Show all posts

Sunday, 6 November 2016

Diana talks to - Julia Faye Smith




Hi Julia, I am sure that you are tired of being asked the usual questions that would be interviewers ask authors, so hopefully this interview is an interview with a difference and I have come up with some unusual questions!

If your latest book Twilight of Memory was adapted into a TV show or a film, who would you like to play the lead role? No question about it, Matt Damon. Both as young Henry and as an older Henry, he would be perfect.

 
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If, as a one off, (and you could guarantee publication!)  you could write anything you wanted, is there another genre you would love to work with and do you already have a budding plot line in mind? No, not in another genre.  I would just like to write the world’s best historical fiction! Ah, well. (You have made an excellent start there!!)

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Do you have any rituals and routines when writing? Your favourite cup for example or ‘that’ piece of music...?? Not really, but I am not very productive in the morning hours, so that’s when I take care of errands, housework, etc. As empty nesters my husband and I are free to set our own schedules (most of the time), so for me, it’s A.M. ‘whatever’, and afternoon is devoted to research and writing, etc.

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What is the worse book you have ever read? What made it unreadable for you? Not just one book, but almost every book written by the wildly successful Danielle Steel. My husband and I once owned a book store, the Book Nook, which was the home of the best easy chairs and ugliest lamp in the world. The lamp should have been in a bordello! Think “Best Little Whorehouse in Texas” style. I felt I needed to read as many of the best sellers as possible. I could not read Danielle’s work without rolling my eyes, groaning, and constantly asking, “Why is she repeating that. We got it the first time!” She repeats, repeats, and repeats backstory as if we readers cannot retain the info for more than a few pages. That being said, I absolutely loved her Granny Dan and The Ring! Whenever her name comes up I jump to recommend those two.

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Other than writing full time, what would be your dream job? At this point in my life I would love to be the female Rick Steves! Short of that, a travel writer for us ‘older’ folks.  I did have another profession; I was an educator, (history, reading, English) for 35 years.
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If you had free choice over the font your book is printed in, what font/fonts would you choose? I love script, but I know it is hard to read, so I would be reasonable and go with one of the common, more readable fonts…Georgia, Calibri, etc. (Wonderful choices. I love Georgia and Plantagenet Cherokee and almost always use one or the other!)

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Imagine that you could get hold of any original source document. What would it be? A love letter from Thomas Jefferson to Sally Hemmings or visa versa. But of more interest to me on a personal level would be a journal written by my 3rd great-grandmother as she packed up her Tennessee Walking Horses and headed south after the death of her husband in the war of 1812. She was the founder of our family in a new state. We’ve been quite prolific! Equally as desirable would be a journal written by my husband’s great-grandmother as she left Italy in 1906 and came to America with her husband and three children. Theirs’ became the ‘great American success story’, much more than my family’s story, but both would be wonderful.

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Historical fiction authors have to contend with real characters invading our stories. Are there any ‘real’ characters you have been tempted to prematurely kill off or ignore because you just don’t like them or they spoil the plot? No, not a one, but once I am finished with my fictional characters I have no problem polishing them off, often rather quickly, if needed.

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Are you prepared to go away from the known facts for the sake of the story and if so how do you get around this?  I will not go away from the facts when they are fundamental to the story. For instance, In ”Twilight of Memory,” I would not change any fact as relating to the battles the 10th Mountain Division fought in Italy. With painstaking research guiding me, I wanted to stay as true to the facts as possible. Only my fictional characters, when not part of an actual historical moment, can wander around.

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Do you find that the lines between fact and fiction sometimes become blurred? In the past the lines have been easily delineated, but in my ongoing effort, I find that fact and fiction sometime fight each other and I have to make some concession to move the story forward.  But going back to your previous question, I suppose I am contradicting myself. I find in this new work that I am bending the facts somewhat, but that’s okay because this work is based on family history…I can change, bend, eliminate, etc my family history to fit the big picture, but again, never actual history.

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Have you ever totally hated or fallen in love with one of your characters? I fell in love with the subject of my recently published “Something to Prove, A Biography of Ann Lowe, America’s Forgotten Designer.” Ann, the granddaughter and great-granddaughter of former slaves, was born in a small Southern town during the days of Jim Crow…laws that severely restricted African American citizens’ rights. One would NOT expect Ann to become the design darling of America’s highest realm of society, but she achieved it. She even designed the gown Jacqueline Bouvier wore when she married John F. Kennedy. Ann defied all odds, but died banckrupt and today is known only by a few.

In “Twilight of Memory,” I loved Henry for his gentleness and Daisy for her unflappable belief in her love for Henry, even when it seemed improbable.  In a children’s book that I have written, “The Lovely Alligator”, I love the old man trying to find a lovely alligator for his granddaughters.  He should be every child’s grandfather.

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What do you enjoy reading for pleasure? Oh my, dare I say it? Historical fiction! Almost any time period, but I do generally read by time periods for several weeks or months at a time. At the moment WWI and WWII, both on the home fronts and in the battles, are at the top of my reading list. For several years I devoured everything Plantagenet and Tudor. Before that, early American history.

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What drink would you recommend drinking whilst reading your latest book? For Twilight, drink a robust Italian wine or one of the newer Colorado wines. For my work in progress, it might take something stronger!

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Last but not least... favourite historical author? Oh gosh, I think it depends on the time period I’m reading at the moment. I’ve been reading Allison Weir and Susan Higginbotham for as long as I can remember. I’ve actually given my granddaughter the same Allison Weir novel three times, forgetting that it is the same one I’d previously given her.  Then, of course, the early works of James Michener. I read John Jakes’ novels the moment each one was published. What a great early American history without a text book. I must admit that after one, either number 4 or 5, there was a great long wait. I was most impatient and upset. Then I learned that he had serious health problems during that period!

Back to the question, for today, I’m enjoying M.K. Tod because she paints great pictures and is easy to read and I love WWI and WWII. And I love everything by Susan Vreeland. For young adult/middle grades historical fiction, no one surpasses Ann Rinaldi.

Still, with all that said, the best historical fiction I’ve read in the past two-three years has to be Alyson Richman’s The Lost Wife.  Oh, my. Her descriptions and story drew me in and held me. I spoke so highly of the book that a neighbour asked to borrow it. Two weeks later she sheepishly brought me a new copy. Why? (I wanted my original copy because it was underlined in so many beautiful places.) She explained that she was reading and cooking at the same time and spilled shrimp juice on my copy. Ack! Do you know how awful old shrimp juice can smell!

(Sorry, Julia, I laughed out loud. Does that make me a very bad person??)

Thank you for a wonderful talk, Julia. I hope you enjoyed that as much as I did.
 

Biography:
Julia Faye Dockery Smith, a native of Alabama, attended local public schools in Tuscaloosa. She began her writing career in the 7th grade at Tuscaloosa Jr. High when she won a writing contest. On stage to accept her reward, $25.00, she was asked if she wanted to say anything. She replied, "Someday I will write a book."
She completed her undergraduate degree at the University of Montevallo, receiving a degree in education with an English major. She received her master's degree in education with an emphasis on reading from Colorado State University.
After beginning her teaching career in Florida, she married a journalist and took several years' hiatus to raise three children. She returned to the classroom in Colorado and completed her 34 years of teaching in Georgia classrooms.
She and her husband, Jim, currently live in Florida with two of their three children and all five of their grandchildren. Their third child lives in Texas. Faye and Jim enjoy travelling, writing, research, and most of all family.
Julia's books are all available here
© Diana Milne July 2016 © Julia Faye Smith September 2016

 

 
 
 
 
 
 

 
 
 

 

 

Thursday, 18 December 2014

Lara's Library: The Abortionist's Daughter by Elisa DeCarlo

The Abortionist's Daughter      
by Elisa deCarlo


Please see the bottom of page for giveaway details

This book is dedicated by the author: “to the actors, actresses, vaudevillians and silent film players who entertained the world on stage and film in the 1910s and 1920s… and to the thousands of women throughout the early 20th century who did not believe that a better life was possible.”

 The Abortionist's Daughter is a novel set in 1916 and follows the life and adventures of Melanie Daniels, the prettiest girl in Muller’s Corners, a town of  New York, and daughter of the town’s doctor, who dreams of making a brilliant marriage. But scandal has doomed her dreams. Six years before the start of the story, a woman died while receiving an abortion from Melanie’s father, and now that “the killer doc” is back from prison, Muller’s Corners won’t forgive and won’t let Melanie forget her family’s disgrace.

This adventurous coming-of-age tale of romance and betrayal narrates the story of Melanie, a young girl in a backward town, whose grandiose dreams of a fairy tale life lead her away from her family’s dark secret and the shame she feels.

The book starts with a prologue that introduces Melanie and a man called James as they attempt to break into a summer cottage in the Adironack camps.  Melanie had barely known James for more than a week and he was already leading her into a dangerous and exhilaratingly daring adventure, exposing her to shock and embarrassment.

"She had wanted real life, but this was too real".  

But here, against the warning of her inner voice and the impulse to run away, Melanie stays. She feels hypnotised by James, a charming stranger who arouses mysterious new feelings in her.  This sets the premise of the book as a romantic novel with a social setting.



I was not sure I was going to like this novel because it is not normally the sort I would read, but it hooked me in from the first page. Abortion isn't really the main topic. The soul of the book in itself is about womanhood and the struggles of the times. Its overall message is for women to have a voice and to break free from the world’s unrealistic expectations. I enjoyed the atmosphere of early 20th century America, and the author stays true to the time and history. De Carlo's insight into the world and time of illegal abortions and the rights of women and contraception is clearly researched and delicately touched upon.

Written from Melanie’s point of view in a narrative form, the novel is written in four parts. I loved the writing style of the author, especially in her very clever use of choosing a later chapter in the book as a prologue. This technique sets the scene, giving valuable and interesting insights into the two main characters, Melanie and James, as well as a complete backdrop to the little town, Muller’s Corners. The narrative and colourful use of dialogue is wonderfully written and well researched in the novel's first parts. DeCarlo’s mastery of excellent dialogue, beautiful and colourful descriptions of the era, the fashion, food, music and films, Melanie’s hometown and then of New York City, had me hooked immediately with intense interest.

Melanie Daniels is a naïve, flawed, selfish and stubborn  23-year-old woman living in a place where the economy is dependent on the local papermill. Melanie had great prospects for marriage, despite believing that her father had ruined her life. Daydreaming about running away from Muller’s Corners, her books and movies and theatre magazines feed her starved inner nature, and fill her with

“optimism about life in a backward town, where her family had dropped from the upper tier of village society to the lower”.

Reading copies of Photoplay,  Melanie is filled with romantic dreams. 

“She wanted to be swept away, romanced, to be overtaken by a love so grand it would leave her altogether a different woman, a happy woman”.



The heroine is a girl ahead of her times in her hometown, yearning for a better life, like the ones that exist in those magazines she reads. She does not want to be trapped, unmarried and having to look after her parents. Melanie’s father, Horace, is like a walking ghost since the trial and her mother, Syrie,  a former dowager duchess of society, maintains an air of threadbare dignity despite her misfortunes. The plight of Melanie’s mother and father gives a strong background and insight into her oppressed life in a small town. She is desperately lonely. Constantly compared to her older sister Olive, she decides to leave town. In trying to get past her family’s history and to find a new role in life and society, she is swept off her feet by the aforementioned James, a much older, finely dressed, handsome man of her dreams, or so she thinks. James is an itinerant salesman. With an air of confidence, he encourages her to follow him to New York City. Melanie soon finds that her loneliness is quickly replaced with anticipation as they head towards the hustle and bustle of Broadway.

It is here on Broadway that Melanie discovers a brand new life and world of theatre, but all is not to last. She is abandoned by the man she knew as James and finds herself alone again, and in trouble.

Without giving too much more of the story away, despite all Melanie’s flaws and bad decisions, the betrayal by James and others, her unbeatable spirit and stubbornness, leads her to a new understanding of her own womanhood and her father’s crime. She triumphs against all odds and her own personal demons.

In part four, things slow down and I was not sure where the book was heading. I felt that I would have preferred a stronger ending, but the overall strengths of the book, the tremendous start, the wonderful character development and richness of the author's writing and storyline override this.

Although this style of book and genre is not something I would usually read, the book's description is what attracted me to The Abortionist’s Daughter. Overall, it is a well written book, and I would highly recommend it to lovers of the stage, and those out there who enjoy reading about early 20th century America.

Reviewed by Lara Salzano


About the Author
                                                         


Elisa deCarlo was born in Westchester, NY, and grew up there and in New York City. As an actress, she has performed in television, radio and film. She has published two novels, Strong Spirits and The Devil You Say as well as The Abortionist's Daughter. Her humorous essays are also in a number of anthologies, including Life's A Stitch: The Best of Contemporary Women's Humor. DeCarlo has also written and performed a number of solo shows across the country. In 2015, the Exit Press will publish an anthology of her stage work.

She can be followed on Twitter and Goodreads and her books can be purchased on Amazon and Amazon UK.


Ms. DeCarlo is giving a copy of The Abortionist's Daughter away to one lucky reader. If f you would like a chance to win, please comment below or at this blog's associated Facebook thread.