The Old Straight Tracks

Ley lines… You probably scoff at such things, as if it’s some new age pseudoscience spoken of by hippies on the festival trail in the seventies, but indulge me. For this post I want you to suspend your sense of disbelief for a short while, to open your mind to the possibility that perhaps our reality is not entirely as we have been programmed to perceive it. What if there is a mystery hidden in plain sight before us? Something so glaringly obvious and yet suppressed so that belief in it became of the realm of the unhinged?  (You’ll be pleased to know I don’t intend on going down some strange 1970’s avenue to link leylines to UFO’s – I may believe in fairies but I’m not entirely away with them! )

We humans like to see patterns in things, whether it’s making a familiar shape from the randomness of clouds, measuring the movement of the heavens as some form of clock or creating a face where there is none. Mere coincidence perhaps; however what if a coincidence keeps recurring?

The term “ley line” was coined by English amateur archaeologist, author and antiquarian Alfred Watkins, in 1921, who noticed that it is possible to draw a straight line on a map linking stone circles, burial mounds, geological features, churches and even crossroads. He used the term ley* lines but preferred to describe them as archaic roads or old straight tracks.  *Ley – OE for a clearing in a forest.

Alfred Watkins

Watkins wasn’t the first to notice alignments in the ancient landscape: In the 1740’s Dr William Stuckley proposed that there was an ancient geometric druidic pattern across the country. During the 1800’s William Black who made a study of Roman roads proposed that major landmarks were linked by grand geometric lines. However the suspicion of their existence precedes these dates and can be seen in different cultures: In Ireland there are “Fairy paths”, in Germany” Heilige Linien” (Holy Lines), in Peru “Spirit Lines”, in China “Dragon Lines” and “Song Paths” in the Australian Aborigine tradition. It was Watkins who first listed a guide for possible ley markers:

“Mounds, Long-barrows, Cairns, Cursus, Dolmens, Standing stones, mark-stones, Stone circles, Henges, Water-markers (moats, ponds, springs, fords, wells), Castle, Beacon-hills, Churches, Cross-roads, Notches in hills, Camps (Hill-forts).”

To Watkins these lines were primarily for navigation across the once densely forested British landscape, providing a line of sight between prominent features, such as hilltop to hilltop. He argued that sacred sites would have sprung up along these tracks and later with the advent of Christianity churches would occupy such sites. It is interesting to note that many of these identified ley lines coincide with the notoriously straight Roman Roads which were built on existing trackways. Indeed some recent research points to a similar system of straight roads throughout the Celtic world which were in place prior to the Roman conquest. All these tracks seem to be linked to the solstice path of the Sun. Maybe a common religious belief allowed for these track ways to be maintained as they crossed different tribal boundaries and lands?

Perhaps the most famous British Ley line is the St Michael’s Leyline that starts at Lands’ End and links Glastonbury to Avebury. It follows the course of the sun on 8^th May, celebrated as the Feast of St Michael by the Catholic Church. As stone circles could be used as astronomical tools and calendars it would follow that lines linking them would also follow some astronomical event.

St Michael Ley Line

It is perhaps due to skilful propaganda by Caesar and his successors that the image we have of the Celtic world is one of barbarian savagery and the druids as crazed priests with an unhealthy appetite for human sacrifice. Yet the reality may be very different as the Celts were a technologically advanced people. As well as fashioning jewellery of exquisite beauty they also invented mail armour, the Gallic helmet (which was adopted by the Romans), even the Roman word for chariot Carrum (from which we get car) was from the Gaulish word Karros. It has been mooted that European history would have been very different if the Celts had adopted the imperial outlook that the Romans did, but these were a people who prized the independence of their tribes and crucially did not have a tradition of writing. It should be noted however that the Celts were not megalith builders; which means that this system of tracks that they used may originate from around 7000 years ago.

So far all seems theoretically plausible, but what about the energy/spiritual aspect that ley lines are supposed to possess?

Folklore has it that houses in Ireland built on fairy paths will be cursed while in China there is the tradition of Feng Shui whereby the flow of dragon currents are utilised to promote harmony in a house or to encourage the fertility of fields. It may well be that this could be linked to the earth’s magnetic field in some way. With the advent of the 60s/70’s New Age movement, many ley hunters took to dowsing in an attempt to map out the Ley network.

But what if they are something else, perhaps a different, older form of human consciousness that is common to all cultures?

In middle and South America we have an indigenous culture that we have records of as it was still active up to 600 years ago before the arrival of the Conquistadors. Throughout the area there are arrow-straight roads, so called “spirit paths”.  If they change direction they do suddenly with a sharp angle, they have no curving bends. NASA satellite surveys have also found these roads in jungle areas, running straight through and over difficult terrain. The roads themselves sometimes link ancient cites and temples but also can terminate at caves or even cliff faces. Investigation pointed to these being “death roads” that is the dead would be transported along these roads for ceremonial burial in cemeteries. As well as being roads for the transport of mortal remains they were also supposed to be roads for the spirits of the departed toward the next world.

These can be compared to Bronze Age standing stone avenues in Europe linking burial mounds, and also even older earthen Neolithic roads called cursuses.  These can be viewed traversing crop fields from the air. Some of these “Death roads“  were used up until the Medieval period in Scandinavia and the Netherlands and are noted for their straightness.

If we return to the Americas and the high deserts of Peru we find the famous Nazca Lines. When we mention Nazca we think of the geoglyphs (ground drawings) of animals and birds marked out by stones on the desert floor, these are remarkable as the monumental scale of them is only truly apparent from the air. However, as well as the geoglyphs, there are lines both at Nazca and also in Bolivia and Chile. These lines are absolutely straight and can be 20 miles in length.

Nazca Geoglyph and lines

The purpose to the Nazca lines as long been the source of conjecture - but I think we can safely ignore the theory by Erich Von Daniken that they are landing strips for ancient astronauts! However in 1977 anthropologist  Marlene Dobkin de Rios theorised, which was later expanded by Paul Devereux and others,  that the whole landscape of lines and images may have a shamanistic origin. She noted that the areas where these lines were found coincided with where tribes used a certain hallucinogenic cactus used to obtain trance induced visions and experience a “spirit-flight”. There is a common imagery of entopic patterns that all humans see when in a trance-like state which can be seen in the cave art of Europe and Australia. The stylised animals of Nazca could be similar to cave paintings, but on a much grander scale, produced by an organised society.

So perhaps ley lines are indeed the means of navigation for both the living and the dead through a prehistoric landscape and have no magical power other than having originated from our shared human shamanistic past… but…

I keep thinking about coincidence again and so will return to St Michael’s ley line. Yes we know it follows the course of the Sun on St Michael’s Spring feast day on 8^th May.  Not to be confused with Michaelmas in September, this date supposedly commemorates the apparition of the Archangel St Michael on Mount Gargano in southern Italy in the C6th, then on 8^th May 100 years later in 663AD the invocation of St Michael ensured a victory by the Lombard defenders of Sipontum against besieging Byzantine forces. A shrine was built where the saint appeared and Pope Pius V made May 8^th a feast Day in the C16th.

The Archangel St Michael holds a special position in Roman Catholic teachings; he is said to command God’s armies against Satan’s. According to the Book of Revelations it was Michael in his role as God’s general who defeated Lucifer, who had taken the form of a dragon, and cast him and his followers from heaven. St Michael is also said to carry the souls of the deceased to heaven and weigh the worthiness of each soul, offering the chance of redemption. Do we have an echo of spirit paths here or is it coincidence?

But there’s more, this ley line begins at Land’s End and intersects St Michaels Mount in Cornwall on its way to Avebury and beyond. Indeed the churches that this line intersects or passes closely to are all those dedicated to the Archangel, including the ruined church atop Glastonbury Tor and its smaller mirror image at Burrow Mump, both in Somerset. Coincidence, or is this the church imposing its authority over earthly powers by invoking God’s general?

Of course this is pseudoscience; the British countryside is full of sites of antiquity, after all. Draw a line anywhere and you are likely to be able to link any number of them. The number of churches dedicated to St Michael linked by it has to be mere coincidence, doesn’t it?

But here’s some fun; take a map of Europe and draw a line on a SE-NW axis between St Michael’s Mount on Cornwall and Mont St Michel in Normandy. Let’s now extend this line North West first and it barely touches Ireland but it hits a small island SE of it called Skellig Michael; famous for its remote monastery. There are three Michaels already, anyway lets extend SE and see what we can find. If we keep it going it runs down Italy and hits a certain Mount Gargano… the shrine built to commemorate the appearance of the saint. Of course it had to! If we continue SE we go through the Shrine of Delphi and on to Mount Carmel in Israel.  Some of the lower slopes form the hill called Har-Meggido, although you might know its better known name of Armageddon. Wasn’t the final battle between good vs Evil supposed to take place there? I wonder if St Michael is supposed to be involved?  

St Michael/Apollo Axis

Rob Bayliss is a reviewer at The Review and is currently writing his own fantasy series. Information on his writing projects can be found at Flint & Steel, Fire & Shadow.

Sources:

P Devereux & I Thomson: The Ley Hunters Companion 1979

A Watkins : The Ley Hunters Manuel 1989

For further reading please visit: www.pauldevereux.co.uk 

The Beltane Choice reviewed by Simon Stirling

Nancy Jardine's historical novel gets off to a cracking start.

Nara, a beautiful Celtic woman, scrambles up a tree to escape a wounded and enraged boar.  The beast is then slain and Nara rescued by Lorcan, a handsome warrior of a rival tribe. 

Lorcan is only there because he's on a revenge mission, and his natural instinct is to take Nara, there and then.  Nara, too, feels her passions rising, despite herself.  But the moment Lorcan discovers that Nara is still a virgin, he desists.  There is something here he doesn't understand.  And so he takes the headstrong Nara captive. 

Nara struggles with her humiliating status as a prisoner and her conflicting emotions while Lorcan forces her to return with him to his father's settlement.  Lorcan, meanwhile, is desperate to know Nara's secret - she is evidently a princess, but why is she seemingly an outcast, unwanted by her own father, and why is she still a virgin?  His fascination with this mysterious woman grows, as does his desire for her, as he realises that she might play a key role in his plan to unite the British tribes against the looming menace of the Roman army.

The Beltane Choice is set in North Britain in the first century AD - the world of the Brigantes people of the Pennines and the neighbouring Selgovae of what are now the Scottish Borders.  Nancy Jardine does a fine job of immersing us in that strange and distant world.  It is no easy task to render this period convincingly, but the author pulls it off with notable success.  She achieves this partly by restricting the focus of the narrative - or, at least, the first half of it - to the emotional turmoil which characterises the growing relationship of Nara and Lorcan, and by keeping the enemy (the advancing Roman army) out of sight.  We see everything through the eyes of the Britons, the rival tribes and their leaders, who must somehow join forces if they are to combat the empire's military machine, and the two noble lovers themselves.

The first half of the novel is preoccupied with the mystery that is Nara, and Lorcan's struggle to understand her peculiar standing in her father's tribe.  For Nara, the problem is slightly different: it has been prophesied that she will choose a partner to join with at Beltane, the great Celtic festival at the start of May, and that from their coupling will come a youthful hero.  From their first encounter, it is clear that Nara and Lorcan are drawn to each other by a powerful sexual attraction, but inter-tribal politics threatens to tear them apart.  The "Beltane choice" turns out to be more problematic than Nara ever imagined.

The narrative begins to open out when Nara is ensconced in the hut of Lorcan's father, the ailing chieftain of Garragill.  We know by now that Nara and Lorcan are made for each other, but the outcome is thrown into doubt when Nara becomes a pawn in the negotiations between tribal leaders.  Her own father throws a pretty big spanner into the works, while Lorcan's diplomatic gifts see him repeatedly removed from his settlement, seeking to meld the various tribes into a unified front.

Of course, Nara's "choice" has already been made, but the author skilfully transforms the suspense from the mysterious nature of Nara's secret, which occupies the first half of the novel, into the tension surrounding the politicking, the rival claimants for Nara's hand, and the question of whether or not she and her beloved Lorcan will ever be able to consummate their burning passion.

My only criticism would concern pacing.  To begin with, Nancy Jardine takes her time, allowing us to become familiar and, indeed, intimate with Nara and Lorcan, detailing their mixed emotions and withholding Nara's backstory, until the reader is thoroughly engrossed in their predicament.  The same lack of narrative urgency succeeds in painting a convincing picture of life in Celtic Britain and weaving the political strands which threaten to sacrifice Nara and Lorcan's mutual attraction to the needs and jealousies of the tribal leaders.

The narrative is shocked into a new direction, however, in the final chapters, when the Roman army launches its assault, and suddenly events are flying past.  Only two or three Roman soldiers are directly featured in the action - and that is a desultory affair - apart from which a great deal happens in the last chapter or two.  After the sedate accumulation of detail of the earlier chapters, and the intensity of the "will-they-won't-they" question which dominates so much of the novel, the hectic nature of the final pages feels like a race to get to the end.

But even so, there is much to enjoy and admire in The Beltane Choice - in particular, the compelling love story set against the backdrop of a tribal past, the conflicts of emotion, sexual tension and crude politics, and the rich atmosphere of time and place.  Readers can easily lose themselves in this novel, not least of all because Jardine does such a good job of embedding Nara and Lorcan, and their mutual desire, in the mind that the reader really feels the suspense of their every enforced separation, and that suspense keeps us reading.

Most of all, I would say that The Beltane Choice is one of the most convincing evocations of Celtic Britain that I have ever come across, and the central romance stands out against that background with great passion and immediacy.

Nancy Jardine is an ex-teacher, part-time author, part-time official grandchildminder, who lives in Aberdeenshire, Scotland, UK. She loves the thrill of seeing words appear on a page which turn into a published book. Her writing encompasses some historically-based non-fiction projects, as well as fiction.

She writes ancestral mysteries; contemporary romance mysteries; and historical romantic adventures. She has been published by The Wild Rose Press and Crooked Cat Publishing.

THE BELTANE CHOICE is available in paperback or Kindle edition.

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Simon Andrew Stirling is a trained actor turned professional dramatist who now writes historical nonfiction and lectures in Film Studies and Screenwriting.  He occasionally updates his blog at www.artandwill.blogspot.co.uk.

 

If you would like Simon to review your novel, please click on the Submissions tab above.





PAULA'S PEOPLE - ALISON MORTON TALKS ABOUT HER BOOK INCEPTIO

I am currently reading INCEPTIO by the lovely Alison Morton Published 1st March 2013 by Silverwood Books and before I post my review, I wanted to invite Alison to talk about her novel . Take it away Alison!



Thank you very much for welcoming me to your blog, Paula.


My debut novel, INCEPTIO, was published 7 months ago at the end of three years of slog – researching, writing, and polishing. It’s a thriller, so it’s doubly exciting. Now, I’d like to tell you about it! But too much telling’s frowned on by Those Who Know, so let me show you…


An eleven year old fascinated by the mosaics in Ampurias (huge Roman site in Spain), I asked my father, “What would it be like if Roman women were in charge, instead of the men?” Maybe it was the fierce sun boiling my brain, maybe it was just a precocious kid asking a smartarse question. But clever man and senior ‘Roman nut’, my father replied, “What do you think it would be like?” Real life intervened (school, uni, career, military, marriage, motherhood, business ownership), but the idea bubbled away in my mind and INCEPTIO slowly took shape.


Of course, I made the classic mistake of submitting too soon, but had some encouraging replies. Several rewrites later and I’d received some requests for full manuscript, even from a US agent! I had replies like ‘If it was a straight thriller, I’d take it on’ and ‘Your writing is excellent, but it wouldn’t fit our list.’  I was (am!) passionate about my stories so I decided to self publish with bought-in publishing services. Using very carefully chosen high quality professional backing (editing, advice, registrations, typesetting, design, book jacket, proofing, etc.), I’ve found it a fantastic way for a new writer to enter the market.

How is an ‘alternate history thriller’ different from a normal thriller?

Alternate history is based on the idea of “what if”? What if King Harold had won the Battle of Hastings in 1066? Or if Julius Caesar had taken notice of the warning that assassins wanted to murder him on the Ides of March? Sometimes, it could be little things such as in the film Sliding Doors, when the train door shuts and Gwyneth Paltrow’s character splits into two; one rides away on the train, the other is left standing on the platform.


The rest of the story or history of a country, from that point on develops differently from the one we know. In my book, Roma Nova battled its way from a small colony somewhere north of Italy in the late fourth century into a high tech, financial mini-state which retained and developed Roman Republican values, but with a twist. It’s really fun working this out! The thriller story then takes place against this background. The nearest comparison would be J D Robb’s Eve Dallas Death series.


Stories with Romans are usually about famous emperors, epic battles, depravity, intrigue, wicked empresses and a lot of sandals, tunics and swords. But imagine the Roman theme projected sixteen hundred years further forward into the 21st century. How different would that world be?


So what’s INCEPTIO about?

New York – present day, alternate reality. Karen Brown, angry and frightened after surviving a kidnap attempt, has a harsh choice – being eliminated by government enforcer Jeffery Renschman or fleeing to the mysterious Roma Nova, her dead mother’s homeland in Europe. Founded sixteen centuries ago by Roman exiles and ruled by women, Roma Nova gives Karen safety, a ready-made family and a new career. But a shocking discovery about her new lover, the fascinating but arrogant special forces officer Conrad Tellus who rescued her in America, isolates her.


Renschman reaches into her new home and nearly kills her. Recovering, she is desperate to find out why he is hunting her so viciously. Unable to rely on anybody else, she undergoes intensive training, develops fighting skills and becomes an undercover cop. But crazy with bitterness at his past failures, Renschman sets a trap for her, knowing she has no choice but to spring it...


And next?  PERFIDITAS (Betrayal), the second book in the Roma Nova series, is due out on the 17th October. It follows on from Karen's adventures in INCEPTIO

You can find INCEPTIO on Amazon UK
  and Amazon US  Amazon US currently on sale for 99p and 99c

You can learn more about Alison and her writing on her sites
Blog
Facebook
INCEPTIO facebook page
Twitter - @alison_morton

For a chance to win a paperback or an e-copy just reply to this question in the comments section. 
What event in history would you have turn out differently? Tell us why and how? 
Good luck!!!