Showing posts with label Alison Morton. Show all posts
Showing posts with label Alison Morton. Show all posts

Wednesday, 12 December 2018

Carina by Alison Morton - A Review by Linda Fetterly Root

The Review Christmas Giveaway!

Today  Linda Fetterly Root reviews Carina by Alison Morton. For our Christmas GiveawayThe author has very kindly offered a winner's choice - an ebook or paperback copy will be sent to a winner.  To be in with a chance of winning this wonderful prize, simply leave a comment below or on our Facebook page.

Good luck!

Carina


During the hectic holiday season, even the most avid reader rarely finds the time to cuddle up in a comfortable spot with the work of a favorite author without being interrupted by a postal carrier at the door or the smell of cookies being toasted in the oven.  But there is a solution, and it is called a novella. The problem, however, is how few of our favorite authors write them.  I never appreciated why that was so universally true until I read Alison Morton’s seventh book in her Nova Roma series, Carina, and realized the crafting of the novella requires a special skill set which even the best of authors often lack.

A good novella taps the ancient talents of a storyteller, without the need of a cumbersome backstory or a cast of thousands. It flows easiest when it draws from the reader’s world as well as the alternative one created by the author and works well when its creator has a series with a following.  Alison Morton’s offering Carina satisfies on all counts.  Her genius provides the action and the setting, but the underlying tensions come right out of network news. Murder, treason and corruption know no boundaries in time or geography.  Thus, the product of Morton’s ingenuity is a robust action story guaranteed to satisfy committed Roma Nova fans, yet capable of standing alone.  It is also a stylish teaser for the reader who is not yet addicted to Morton’s alternative to contemporary Western Europe and North American society, but willing to take the tour. Visit Ms. Morton’s website for a broader view, complete with maps and photographs of what Nova Roma might look like, should  we choose to visit ( https://alison-morton.com/books-2/inceptio).


For the uninitiated, the premises of the Roma Nova series follows:  A remnant of Ancient Roman Civilization has survived and established an enclave in the area of modern Europe we associated with the small principalities whose names are only known to coin collectors and people whose parents came from Luxembourg or Liechtenstein.  Its society is structured loosely on Roman principles. While it is a titular matriarchy, it form is similar to a classic oligarchy, governed by aristocratic  families who often compete with one another for control.  And for those tempted to put Morton’s works aside as another collection of militant feminist chic books, think again. The men of Novo Roma are just as formidable and provocative as its women. Alison Morton has avoided retelling Roma Nova’s complex history in her novels, but admits it inhabits her head in great detail. She has created a society as multi-dimensional as Frank Herbert's Dune, complete with its architecture and belief structure.  Although Morton's modern protagonist Carina Mitela’s adventure enfolds in a deceptively contemporary New World setting, the hint of the Roma Nova counterculture seduces us from the shadows, We are not the least disappointed to discover Carina must return to Roma Nova to resolve the puzzling aspects of her mission.
The novella Carina is a compliment to the three books of the Carina trilogy.  The character Carina is the perfect protagonist for the stories.  Until shortly before the events in the novella, she was living in the Eastern United States in autonomous New York City as Karen Brown, but her ties to her dead mother’s family makes her a target of intrigue. Her grandmother Aurelia is the most powerful woman in the Roma Nova ruling class, and her American granddaughter is her natural heir. But how Karen Brown becomes Carina Mitela, a member of the Praetorium Guard and the wife of the powerful special forces commander Conrad Tellus is the topic of Morton's  novel Inceptio, but one need not have read it to enjoy the novella. 
The cityscape of Toronto - the 'New World" in general.
The fast-paced novella traces its namesake on her first covert mission as a member of the Praetoriam Guard, an  adventure to which she is assigned with the knowledge by her husband. While Conrad Tellus is an indulgent and loving spouse, he is a strict and unyielding disciplinarian when dealing with his troops, and Carina is not spared his wrath when she circumvents his orders. She had just been released from solitary confinement for disobedience when she is dispatched on what was presented as a routine mission to detain and return a traitor.

From the mission's onset, Carina has her doubts. There is one possible source of danger known to both Conrad and Carina. The former Karen Brown’s departure from the New World was not without repercussions. There is still a warrant for her arrest on the books of  the Eastern United States. But as long as she follows Conrad’s instructions and stays away from the EUS, her superiors assure her that she and her partner Flavius should be home in a snap, with quarry in tow. Although only twenty-four-years-old and newest of the Guard, Carina is no one’s fool.  This is not her first brush with the dangers inherent in being a Mitelus.  From the beginning, the circumstances of the mission to capture and return a woman who has fled Roma Nova for Quebec, is too secretive for her taste. Not even Conrad will tell her what the fugitive has done. ‘Need to know,’ he scolds.  She wonders if the so-called routine assignment might be a means of sidelining her, as further punishment for her past insubordination, but her  familiarity with the area in the Republic of Quebec which she had visited as a child makes her the ideal person for the mission.  She knows how to blend in, what food to order and where to shop.  She remembers crossing into Canada at Niagara Falls, because her father thought it offered the better view, which is exactly what my father told me when we visited the Falls when I was ten years old.
The house in Montreal where Carina was based


However, the forces at work against Carina both in the New World and at home have other plans. Carina's own nature and the machinations of her enemies on both sides of the Atlantic Ocean make the clandestine mission a high risk operation for Carina and her allies. And, in addition to the factions determined to defeat her, in her Karen Brown persona, she has left behind an  embittered female law enforcement agent obsessed with bringing her down.  Alison Morton has a special way of creating especially hateful bad guys, a talent which makes the reader more of a participant than a bystander.

Morton’s characters are artfully drawn, many of them driven by the same motives we see in the daily headlines of the Guardian and the Washington Post.   I love the way Carina can utter an authentic  ancient Roman oath, and follow it with an exuberant,' F--- off.'  Treachery abounds, and not always coming from the predicted camp.  Even the mission itself is not what it seems. 

When Carina finally returns to Roma Nova, a whole new set of intrigues surface.  In this stage of the story, we are treated to a new glimpse of Aurelia, the head of the Mitelus Family, and we realize why she is so formidable.  For the new visitor Roma Nova, the few scenes hosted by Aurelia should send them searching for Ms. Morton's second box set. While Carina is a very modern story, set in modern times, after she returns to Roma Nova at the conclusion of her mission, old family rivalries,long-held grudges,  political maneuverings and betrayals surface, and we find ourselves checking our calendars for the Ides of March. 

The plot of the novella is a gem, the action is believable, the dialog is crisp, and the conclusion of the story does not leave the reader dangling on the edge of a cliff.  It does, however, promise more adventures to come.   Morton includes a sample of the novel Inceptio to make certain new members of her audience can visit Carina in her role of Karen Brown.  I have read Carina twice now and enjoyed it on both excursions.  I  am ordering paperback copies for stocking-stuffers and one for my special book shelf.  Reviewing Carina has been a pleasure.
 Linda Fetterly Root

About the reviewer: Linda Root is the author of The First Marie and the Queen of ScotsThe Last Knight and the Queen of Scots, and four books in The Legacy of the Queen of Scots series. The fifth, Deliverance of the Lamb, is coming in early 2016. She lives in the Southern California high desert community of Yucca Valley with her husband Chris and two giant woolly Alaskan Malamutes, Maxx and Maya. She is a retired major crimes prosecutor, a member of the Marie Stuart Society, and of the California State Bar and the Bar of the Supreme Court of the United States.  
Linda Root's books can be found on Amazon.

About the author: Alison Morton writes the acclaimed Roma Nova thriller series featuring modern Praetorian heroines. She blends her deep love of Roman history with six years’ military service and a life of reading crime, adventure and thriller fiction.


All six Roma Nova full-length novels have been awarded the BRAG Medallion. SUCCESSIO, AURELIA and INSURRECTIO were selected as Historical Novel Society’s Indie Editor’s Choices.  AURELIA was a finalist in the 2016 HNS Indie Award. SUCCESSIO was selected as an Editor’s Choice in The Bookseller. CARINA is a novella set between INCEPTIO and PERFIDITAS.

A ‘Roman nut’ since age 11, Alison has misspent decades clambering over Roman sites throughout Europe. She holds an MA History, blogs about Romans and writing.

Now she continues to write, cultivates a Roman herb garden and drinks wine in France with her husband.

Social media links
Connect with Alison on her Roma Nova site: http://alison-morton.com
Twitter: https://twitter.com/alison_morton @alison_morton

Buying links for CARINA


What’s CARINA about?
Carina Mitela is still a young inexperienced officer in the Praetorian Guard Special Forces. Disgraced and smarting from a period in the cells for a disciplinary offence, she is sent out of everybody's way on a seemingly straightforward mission overseas.

All she and her comrade-in-arms, Flavius, have to do is bring back a traitor from the Republic of Quebec. Under no circumstances will she risk entering the Eastern United States where she is still wanted under her old name Karen Brown.  But when she and Flavius discover a conspiracy that reaches to the highest levels of Roma Nova, what price is personal danger against fulfilling the mission?

---------
Set in the time after INCEPTIO but before PERFIDITAS in the Roma Nova series, this thriller novella reveals hidden parts of Carina's early life in Roma Nova. And North America isn't quite the continent we know in our timeline...





Saturday, 2 December 2017

Diana talks to Alison Morton, author of the acclaimed Roma Nova series.


What is the genre you are best known for?
Alternative history thrillers – a series of adventures that take place in Roma Nova where a remnant of the Roman Empire toughed its way into the 21st century. There’s a twist – it’s ruled by women.

If your latest book CARINA was adapted into a TV show or a film, who would you like to play the lead role?
Bryce Dallas Howard or Jennifer Laurence for Carina



What made you choose this genre?
How long have you got? Briefly, a combination of wanting to write a Roman-set novel, a desire for a woman leading the action in an egalitarian society, six years in the military and realising after reading Robert Harris’s Fatherland that you could ‘alternate’ history.

How do you get ideas for plots and characters?
Plots: the desire not to do anything usual, although there are only so many motivations – power, money, sex and revenge being the strongest. Characters: Carina, and for the second trilogy, Aurelia, are a blend of my own experience, a long history of reading and watching films across many genres, especially the heroic ones, and wishful thinking.

Favourite picture or work of art?
That is a horrible question! This fluctuates from day to day, and depends on my mood. Picking one is so difficult. In a collection, I would include the 
Pont du Gard in southern France 

and Rodin’s Kiss. 





If, as a one off, (and you could guarantee publication!)  you could write anything you wanted, is there another genre you would love to work with and do you already have a budding plot line in mind?
Well, I’m fairly happy where I am. I enjoy crossing the genres of history and thriller, adding a dollop of romance and that time shift sideways. Possibly a standard thriller/spy story…

Was becoming a writer a conscious decision or something that you drifted into (or even something so compelling that it could not be denied?) How old were you when you first started to write seriously.
I’ve written all my life: government papers, translating and editing, corporate documentation, PR copy, academic dissertations, etc. I came to novel writing in 2009 after seeing a terrible film and knew I could craft a better story. Novel writing is my fourth career.

Marmite? Love it or hate it?
Oh, gods! The vilest muck ever masquerading as foodstuff. I’m a Bovril girl. (I actually laughed out loud, Alison. That is a very definite opinion! Diana)

Do you have any rituals and routines when writing? Your favourite cup for example or ‘that’ piece of music...?
No, I prefer silence. Anything else is distraction. But if I’m on a train or plane, I just tune everything else out.

I promise I won’t tell them the answer to this, but when you are writing, who is more important, your family or your characters?
Well, my grown-up family is in the UK and my husband of 32 years sits in the office at the other workstation in his own writing world. We do talk at lunchtime, if we’re out or in the evening.  So it’s a fine balance.

Other than writing full time, what would be your dream job?
Um…

Coffee or tea? Red or white?
Tea in bed, coffee at breakfast (proper, never instant), tea for the rest of the day
Red mostly, white sometimes, dry rosé with summer barbecue, champagne anytime

How much of your work is planned before you start? Do you have a full draft or let it find its way?
I’m a 15% planner with a 30-line outline and an 85% ‘pantser’.

If you had free choice over the font your book is printed in, what font/fonts would you choose?
Very happy with Bembo, Cambria, Garamond

Imagine that you could get hold of any original source document. What would it be?
The whole of Livy’s History of Rome Ab Urbe Condita. Only 25% of it has survived. Actually, the nine Sibylline scrolls, if they had existed, would make interesting reading.

Alison and the Forum in Rome.


Have any of your characters ever shocked you and gone off on their own adventure leaving you scratching your head??? If so how did you cope with that?
Yes, they did in PERFIDITAS. I had to ditch a really good sex scene and rewrite the last third of the book – 30,000 words. A hard decision, but the final version of the ending was so much better. Painful, but worth it.

How much research do you do and do you ever go on research trips?
Lots, and yes.

Research: I’ve been a ‘Roman nut’ since I was eleven and have clambered over most of Roman Europe. History in general has fascinated me and I even went back after 30 years and did my MA. I firmly believe that you have to know history well if you want to ‘alternate’ it. And you need to research really thoroughly the point when the alternative timeline diverges from our timeline. That’s the last solid contact before you write into the void.

Trips: Wherever I go, I look for Roman remains and artefacts. I’m quite tiresome about it. On every trip back to the UK, I reserve a day to visit the Roman rooms at the British Museum. I’m a ‘Friend’ so I can eat in the lovely lunch room as well. My three-week study tour to Rome and Pompeii in 2012 will never leave my conscious mind. When you walk in the Forum Romanum or touch the stones of a house wall in Pompeii, you can almost hear and see first century people jostling along the street.

Fiction authors have to contend with real characters invading our stories. Are there any ‘real’ characters you have been tempted to prematurely kill off or ignore because you just don’t like them or they spoil the plot?
Ha! I don’t have that problem as everything has changed slightly, but significantly, in the timeline of Roma Nova. Only some real people from our timeline exist in the Roma Nova one and are mentioned only as they touch Roma Nova’s history. Some people have changed roles; it was Eleanor Roosevelt who became president of the Eastern United States, not her distant cousin, Franklin, and we only ‘meet’ her as a street name in INCEPTIO.

Are you prepared to go away from the known facts for the sake of the story and if so how do you get around this?
Not a problem for the same reason as in the previous question. However, in proper alternative history stories, you have to use historical logic to progress the timeline. If you start dropping in dragons, magical power sources or money trees, you’re writing fantasy.

Do you find that the lines between fact and fiction sometimes become blurred?
There’s a line?

Have you ever totally hated or fallen in love with one of your characters?
You don’t expect me to admit that, do you? They are merely my playthings… (Giggle... Diana)

What do you enjoy reading for pleasure?
Almost anything that has a good story, with a leaning towards unusual settings and characters. I enjoy hidden chinks of history, unusual thrillers, clever science fiction, especially female led.

What drink would you recommend drinking whilst reading your latest book?
Something fortifying that isn’t going to spoil if it gets cold.

Last but not least... favourite author?
This is another of those ‘pick one’ questions, isn’t it? In the selection would be William Boyd, Lindsey Davis, Robert Harris and Georgette Heyer

About the author:


Alison Morton writes the acclaimed Roma Nova thriller series featuring modern Praetorian heroines. She blends her deep love of Roman history with six years’ military service and a life of reading crime, adventure and thriller fiction.

All six Roma Nova full-length novels have been awarded the BRAG Medallion. SUCCESSIO, AURELIA and INSURRECTIO were selected as Historical Novel Society’s Indie Editor’s Choices.  AURELIA was a finalist in the 2016 HNS Indie Award. SUCCESSIO was selected as an Editor’s Choice in The Bookseller. CARINA is a novella set between INCEPTIO and PERFIDITAS.

A ‘Roman nut’ since age 11, Alison has misspent decades clambering over Roman sites throughout Europe. She holds a MA History, blogs about Romans and writing.

Now she continues to write, cultivates a Roman herb garden and drinks wine in France with her husband of 30 years.

Social media links
Connect with Alison on her Roma Nova site: http://alison-morton.com
Twitter: https://twitter.com/alison_morton @alison_morton

Buying links for CARINA


What’s CARINA about?
Carina Mitela is still a young inexperienced officer in the Praetorian Guard Special Forces. Disgraced and smarting from a period in the cells for a disciplinary offence, she is sent out of everybody's way on a seemingly straightforward mission overseas.

All she and her comrade-in-arms, Flavius, have to do is bring back a traitor from the Republic of Quebec. Under no circumstances will she risk entering the Eastern United States where she is still wanted under her old name Karen Brown.  But when she and Flavius discover a conspiracy that reaches to the highest levels of Roma Nova, what price is personal danger against fulfilling the mission?

---------
Set in the time after INCEPTIO but before PERFIDITAS in the Roma Nova series, this thriller novella reveals hidden parts of Carina's early life in Roma Nova. And North America isn't quite the continent we know in our timeline...

Alison is also the author of: INCEPTIO, PERFIDITAS, SUCCESSIO, AURELIA, INSURRECTIO and RETALIO, Roma Nova alternate history thrillers - all B.R.A.G. Medallion® honorees.

Here is a trailer of Inceptio ...





© Diana Milne January 2017 © Alison Morton 2017








Tuesday, 28 July 2015

Anna Reviews: Perfiditas by Alison Morton

Perfiditas by Alison Morton
Review by Anna Belfrage

Author Alison Morton has kindly offered a signed paperback novel of Perfiditas
See bottom of page for details on how to win
Drawing on August Tuesday 4th 

This drawing has been held and a winner announced at Facebook.
Please see new reviews for more chances!

We have a giveaway with every review!



To write alternative history carries some likeness to writing fantasy, in that the world creation is a fundamental part of the writing endeavour. In difference to fantasy, writers of alternative history have to tread a very fine line between the invented and the impossible, i.e. expectations are that the writer creates a society we, as readers firmly rooted in our reality, can conceive as being an alternative outcome had things been somewhat different.

Authors like Robert Harris do this with panache. Writers like Stephen Fry do it with ironic humour. And writers like Alison Morton just do it, a few deft brushstrokes, no more, and Roma Nova is a feasible little European country in a world where Adolf Hitler never happened and where the northern parts of the American continent remain divided between former English, French and Spanish dominions.




Roma Nova lies snuggled into the folds of the Alps. A last refuge for a group of Romans fleeing the devastation of the Germanic invasions, this is where Roman Senator Apulius and his family and followers settled, ready to make a last stand if needed. Our staunch Roman was married to a spirited Celtic woman who gave him four equally spirited daughters but no son. And so, through a combination of chance and expediency, Roma Nova developed into a matriarchial society, a country where the family heads always are female, but where traditions and concepts of duty towards the state remain rooted in Roman values.

So well does Ms. Morton paint this little country of hers that I find myself considering just how to travel there – by car? By train? Until I remember that I can’t go to Roma Nova – not outside the pages of Ms. Morton’s novels. Fortunately, she has so far written four and is intent on writing a couple more. 

Now, as we all know, a setting does not a novel make. However intriguing Roma Nova is, however fascinating Ms. Morton’s descriptions are of Saturnalia celebrations, of funerals as per ancient Roman rites, it would be a thin soup indeed had Ms. Morton not also gifted us with Carina Mitela and her husband Conrad Mitelus.




Carina Mitela became a friend of mine in Inceptio, the first of the series. Tough when so required, careful with whom she allows to penetrate the shield of reserve with which she manages her life and her emotions, she is a woman who believes in herself, believes even more in right and wrong, and who is dedicated enough to doing her duty that she will risk her own life if so required.

Carina was not always Carina. Born in the E.U.S. (Eastern United States), she used to be Karen, a rather downtrodden and insecure Karen, until one day she was appraised of her family in Roma Nova and whisked back to her ancestral country by Conrad, her husband-to-be. When Perfiditas opens, Carina has lived in Roma Nova for seven years or so, successful in her military career, proud mother of three and happily married to Conrad.



Her husband is as dedicated, as tough, as she is. He is also somewhat damaged due to a harsh childhood, and his reluctance to talk about his experiences leave him far more vulnerable than he realises – or at least wants to accept. Instead of a touchy-feely approach to these sensitive memories, Conrad has recreated himself from a hurting, wounded boy to an efficient and self-sufficient military leader, capable of much warmth and affection towards those he loves – as long as there is no conflict between his private life and what he perceives as his duty to Roma Nova.

At times, these two people tear each other apart – and things are not exactly simplified by the fact that Conrad is Carina’s commanding officer. Sometimes, when Conrad makes a call he considers correct in his role as Praetorian Legate, he is at the same time figuratively back-handing his wife over the face – or so she feels. Are there consequences? Of course.

Ms. Morton does a great job of describing the tension caused by Conrad repeatedly setting duty before Carina. Yes, sometimes Carina breaks every rule in the book – for all the right reasons – so maybe he’s entitled to some irritation, but there are times when this reader wants to take the stupid man by the shoulders and shake him until his teeth rattle, so stiff and insensitive does he seem. Besides, Conrad has problems handling the fact that at times it’s Carina saving him from dire death rather than the other way around. Especially when she uses her underworld network to do so…especially when it is rather apparent Carina is not entirely unaffected by the leader of this network.



Which, just by chance, brings us to Apollodorus, the enigmatic man who has previously helped Carina out of a tight spot or two in a rather unorthodox manner. Apollodorus is a man of night and shadow, instinctively disliked by Conrad, discreetly admired by Carina – after all, she more or less owes the man her life. Cultivated, smooth and possessed of eyes as dark as pools of pitch, Apollodorus has only ever loved one woman - Carina. No wonder Conrad raises his hackles whenever Apollodorus is around.

It irritates Carina that Conrad will not extend the benefit of the doubt to Apollodorus. It makes Conrad see  that his wife does not steer clear of this dangerous, amoral man, a man as subtle as a stalking leopard, ruthless and efficient, unfailingly polite and always in control. Apollodorus is a puppet-master, and just how intricately he weaves his various threads is revealed in bits and pieces, causing Perfiditas to twist and turn like a trapped snake.

Other than the three protagonists, Ms. Morton has gifted us with a broad cast of characters it is easy to relate to, all the way from Carina’s impressive grandmother, the mater familias Aurelia, to former gladiatrix Mossia. With an economy of words, a few lines of description, no more, she brings her extensive cast to life, making each and every one of them distinctive.

The plot is skillfully constructed: in this case Roma Nova is threatened by a band of determined coup-makers who want nothing more than to return Roma Nova to its true Roman roots, i.e. relegate women back to a position of invisibility, reduced to being wives and mothers, subservient to men. As a modern woman, I find the matriarchal society portrayed by Ms. Morton quite fascinating – even more so because fundamentally Roma Nova is an egalitarian society – men and women are true equals in all aspects of life. The wannabe coup-makers don’t agree: they are sick of the rule of women and set out to throw off this terrible yoke of oppression.

Nothing is ever as simple as it seems, and as Carina digs deeper into a plot that not only threatens her country but also her loved ones, she uncovers one layer after the other of rot. In defence of her own, Carina is formidable, holding herself together even during those periods when Conrad leaves her to do battle alone. But it costs her, and her vulnerability, her sensation of abandonment when Conrad retreats into professionalism rather than supporting her, his wife, is excellently depicted.

To an exciting plot and well-developed characters, must be added the casual if precise descriptions, bringing to life everything from the holding cells of the Praetorian Guard Special Forces, to the streets and buildings of Roma Nova. In expressions, in off-hand depictions of traditions and rituals, Ms. Morton’s passion for things truly Roman shines through. Ms. Morton has done her research, and so heavy togas are discarded casually, studded sandals clip over tiled floors, young girls are proud of their new pallas, the atriums are adorned by the statues of the ancestors – all of this without ever becoming contrived.

Ms. Morton takes her readers for quite the ride in this book, and passages of introspection vie for space with fast-paced action scenes that have this reader holding her breath – or chewing her nails. While Ms. Morton writes strong and fluid prose, it is her dialogue that blows me away. Pitch-perfect, distinctive and vivid, it brings Carina and all the rest to vibrant life, offering insight into the various character’s thoughts without ever sacrificing rhythm and pace.

In conclusion, Perfiditas is a great read, a book that has you saying, “Hmm?” without raising your eyes from the page should anyone attempt to talk to you while immersed. Here and there, I spot a missing quotation mark, but such minor beauty spots are, in this case, more like freckles – distracting, but also cute.





Unfortunately for me, I have already read all Ms. Morton’s books. I crave another – soon! So, Ms. Morton, to paraphrase a famous Latin quote: Scribere necesse est, vivere non est necesse or in other words, please get on with it and write the next one!


To enter our drawing for a FREE signed paperback copy of Perfiditas, simply comment below OR at this review's Facebook thread, located here.

About the Author:



Alison Morton lives since some years back in France, after an exciting life in which she had both served in the military and run her own business. She has a Masters in history, has been fascinated by the Roman era since she first saw the impressive Roman mosaics at Ampurias, Spain as a little girl, and blames her feminist mother and ex-military father for part of the inspiration for Roma Nova. She can be found on her website where she also maintains a blog. Perfiditas is available both on Amazon and Amazon UK.

*********


Anna Belfrage is the author of eight published books, all part of The Graham Saga. Set in the 17th century, the books tell the story of Matthew Graham and his time-travelling wife, Alex Lind. Anna can be found on AmazonTwitterFacebook and on her website.


Tuesday, 1 October 2013

PAULA'S PEOPLE - ALISON MORTON TALKS ABOUT HER BOOK INCEPTIO

I am currently reading INCEPTIO by the lovely Alison Morton Published 1st March 2013 by Silverwood Books and before I post my review, I wanted to invite Alison to talk about her novel . Take it away Alison!



Thank you very much for welcoming me to your blog, Paula.


My debut novel, INCEPTIO, was published 7 months ago at the end of three years of slog – researching, writing, and polishing. It’s a thriller, so it’s doubly exciting. Now, I’d like to tell you about it! But too much telling’s frowned on by Those Who Know, so let me show you…


An eleven year old fascinated by the mosaics in Ampurias (huge Roman site in Spain), I asked my father, “What would it be like if Roman women were in charge, instead of the men?” Maybe it was the fierce sun boiling my brain, maybe it was just a precocious kid asking a smartarse question. But clever man and senior ‘Roman nut’, my father replied, “What do you think it would be like?” Real life intervened (school, uni, career, military, marriage, motherhood, business ownership), but the idea bubbled away in my mind and INCEPTIO slowly took shape.


Of course, I made the classic mistake of submitting too soon, but had some encouraging replies. Several rewrites later and I’d received some requests for full manuscript, even from a US agent! I had replies like ‘If it was a straight thriller, I’d take it on’ and ‘Your writing is excellent, but it wouldn’t fit our list.’  I was (am!) passionate about my stories so I decided to self publish with bought-in publishing services. Using very carefully chosen high quality professional backing (editing, advice, registrations, typesetting, design, book jacket, proofing, etc.), I’ve found it a fantastic way for a new writer to enter the market.

How is an ‘alternate history thriller’ different from a normal thriller?

Alternate history is based on the idea of “what if”? What if King Harold had won the Battle of Hastings in 1066? Or if Julius Caesar had taken notice of the warning that assassins wanted to murder him on the Ides of March? Sometimes, it could be little things such as in the film Sliding Doors, when the train door shuts and Gwyneth Paltrow’s character splits into two; one rides away on the train, the other is left standing on the platform.


The rest of the story or history of a country, from that point on develops differently from the one we know. In my book, Roma Nova battled its way from a small colony somewhere north of Italy in the late fourth century into a high tech, financial mini-state which retained and developed Roman Republican values, but with a twist. It’s really fun working this out! The thriller story then takes place against this background. The nearest comparison would be J D Robb’s Eve Dallas Death series.


Stories with Romans are usually about famous emperors, epic battles, depravity, intrigue, wicked empresses and a lot of sandals, tunics and swords. But imagine the Roman theme projected sixteen hundred years further forward into the 21st century. How different would that world be?


So what’s INCEPTIO about?

New York – present day, alternate reality. Karen Brown, angry and frightened after surviving a kidnap attempt, has a harsh choice – being eliminated by government enforcer Jeffery Renschman or fleeing to the mysterious Roma Nova, her dead mother’s homeland in Europe. Founded sixteen centuries ago by Roman exiles and ruled by women, Roma Nova gives Karen safety, a ready-made family and a new career. But a shocking discovery about her new lover, the fascinating but arrogant special forces officer Conrad Tellus who rescued her in America, isolates her.


Renschman reaches into her new home and nearly kills her. Recovering, she is desperate to find out why he is hunting her so viciously. Unable to rely on anybody else, she undergoes intensive training, develops fighting skills and becomes an undercover cop. But crazy with bitterness at his past failures, Renschman sets a trap for her, knowing she has no choice but to spring it...


And next?  PERFIDITAS (Betrayal), the second book in the Roma Nova series, is due out on the 17th October. It follows on from Karen's adventures in INCEPTIO

You can find INCEPTIO on Amazon UK
  and Amazon US  Amazon US currently on sale for 99p and 99c

You can learn more about Alison and her writing on her sites
Blog
Facebook
INCEPTIO facebook page
Twitter - @alison_morton

For a chance to win a paperback or an e-copy just reply to this question in the comments section. 
What event in history would you have turn out differently? Tell us why and how? 
Good luck!!!