Diana talks to Kristie Dean

Hi Kristie, lovely to catch up with you and have a chat...
I have loved all your books but particularly your two Richard III related books...

''Richard III is probably the House of York’s best-known figure, but the other members of the family are just as intriguing as the king who fell on Bosworth Field brings to life the people and their  places in her latest book, On the Trail of the Yorks (with brilliant maps and photographs*)''

What made you choose this genre? I love non-fiction because it allows me to research the history I love and then present it to others. I like explaining what actually happened, although I’ve been toying with the idea of writing fiction as well.

How do you get ideas for plots and characters? I get the ideas for my books from what I love. Both Richard III and his family have always interested me, so they were my focus when I decided I wanted to write a travel history. Actually, the idea of the travel history book came about because I’d always wanted a book to give me locations for my favorite figures from history, especially Richard III.

If, as a one off, (and you could guarantee publication!) you could write anything you wanted, is there another genre you would love to work with and do you already have a budding plot line in mind? I would love to write a thriller. I have had an idea in mind for a while based on an incident that happened to me when I was in college. I’m not sure if I will ever put it on paper, though.

Was becoming a writer a conscious decision or something that you drifted into (or even something so compelling that it could not be denied?) How old were you when you first started to write seriously. It was a conscious decision. I’ve been writing since 4^th grade (around nine years old) and it’s always been something important for me to do. I can’t stand a blank piece of paper.  I studied journalism in school as an undergraduate prior to earning my master’s in history, so writing non-fiction has been a good fit.  

Marmite? Love it or hate it? I have never been able to bring myself to try it… ((Smile))

Do you have any rituals and routines when writing? Your favourite cup for example or ‘that’ piece of music...?? I have to begin the day with coffee and play with my pets for a few moments before I start working. I love to work at my desk, but in all honesty, I am so messy that it’s often covered and I have to write in the family room.

I promise I won’t tell them the answer to this, but when you are writing, who is more important, your family or your characters? My family is more important, but I do neglect them while writing. It becomes an all-consuming passion. I have started at 7 a.m. and finished at 10 p.m. without noticing. I love what I do!

Other than writing full time, what would be your dream job? I would love to be a travel guide and take people to my favorite destinations.

Coffee or tea? Red or white? Coffee and white

How much of your work is planned before you start? Do you have a full draft or let it find its way? For non-fiction I plan it out, but if I find another location or something I need to add through my research, I will add it.

Imagine that you could get hold of any original source document. What would it be? Oh, that’s an easy one for me. Titulus Regius.

How much research do you do and do you ever go on research trips? For a non-fiction book, meticulous research is necessary.  In addition to primary research for the historic background, I traveled to almost every site I discuss. I liked the chance to get the ‘feel’ of the location.

What do you enjoy reading for pleasure? I read just about anything. This morning I read the back of the Cheerios box. It hadn’t changed since the last time I read it, but it was there and I was bored. Seriously, I will read just about any genre, although I’m not big on fantasy. My preference is either history or thrillers.

What drink would you recommend drinking whilst reading your latest book? White wine. ((I read it at the airport whilst drinking coffee. I can recommend that too!))

Last but not least... favourite author? This is a difficult one for me. I like so many authors, but I do enjoy Susanna Kearsley and Barbara Erskine (Lady of Hay is a favourite!) For non-fiction, there are many authors I admire, so it would take forever to list them all. I do have a book that I’m chomping at the bit to read, which hopefully will be released soon. Sharon Bennett Connolly is doing a book about medieval heroines, and I cannot wait to get my hands on it.

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Kristie Dean has an MA in History and now enjoys teaching the subject, following a successful career in public relations. Her particular historic interest is the medieval era, specifically the Plantagenets, the Wars of the Roses and the Tudors.
She has been published in several online magazines and local newspapers, and presented a paper at the International Congress on Medieval Studies. She has also published a series of short guidebooks (less than 20 pages) to help visitors to the UK find great locations

You can follow Kristie on Twitter @kristiedavisdea, or like her Facebook page, The World of Richard III. She also has a blog at KristieDean.com. When not traveling for research, you can find Kristie at home in Tennessee with her husband, three dogs, and two cats.

© Diana Milne January 2017 © Kristie Dean February 2017

* Maps in the book by Lady White Art and Sharon Connelly provided some wonderful photos

Lisl Reviews: The World of Richard III

The World of Richard III by Kristie Dean

Review by Lisl

See below to learn how you can win a FREE HARDBOUND COPY of 

The World of Richard III

Drawing August 7, 2015

This drawing has been held and a winner announced at Facebook.

Please see new reviews for more chances!

We have a giveaway with every review!

Link to Kristie Dean's prior guest post at The Review for an excerpt from 
The World of Richard III

With the recent re-internment and increased interest in Richard III, it is not surprising there would be a flurry of new publications related to the last Plantagenet king. While we all read at least a smattering of the Wars of the Roses (WoR), for many these studies belonged to bygone days, but the attention generated by these new books has brought the monarch to a wider audience. With The World of Richard III author Kristie Dean takes a new approach by bringing us to Richard. As closely as it is possible to do, she escorts us to and around the world he inhabited via the places he had visited, seeing or imagining what he observed and how he may have perceived it.

St. Mary's Church, Barnard Castle~
A carving of Richard's emblem, the boar

The work is a combination of travel information and history focused on places lived in or visited by Richard Plantagenet, from birth to his time as Gloucester, through his two years of kingship and finally, his death. Organized in seven major parts that span these courses of Richard’s life and in a loose chronological order, subsections then turn their attention to specific places associated with him on various occasions. As the author takes us from point to point there is some overlap, given that Richard visited certain locations several times, and Dean handles this seamlessly and without repetition. An extensive collection of beautiful photographs enables readers to follow along visually as they move forward. 

Gatehouse at Middleham Castle~
This is the entrance Richard would have
used to reach the inner courtyard

The book is set up in a very practical manner, and the convenience will appeal to armchair traveler as well as visitors to these amazing monuments. The table of contents lists the locations—including geographical—within each section in the event one wanted to access information about a specific site. While readers come in close contact throughout the book with the medieval practice of “recycling” names (first as well as surnames), Dean also provides a York family tree that sensibly and easily maps out the “who’s who,” helping to alleviate common confusions, for instance between Richard III (Gloucester) and his father, also called Richard (York). Years also are provided for clarification of events, such as the Duke of York and Salsbury’s flight to Ireland and Calais (1459), and their deaths in 1460, the latter of which is necessarily presented first.

A “how to” also briefly introduces the setup and points out helpful details such as contact information (phone as well as website), opening times, prices and postcode, which struck me not only as practical but also a blessing in disguise because many travelers—myself included—might get bogged down in their movements. In such instances it has happened that it doesn’t occur (to me and others) to check ahead about such additional details as cash machine availability, non-regular closures or waiting periods. Dean covers these and other crucial details and tips to contribute to a fascinating and rewarding journey.

The World of Richard III is presented in language that is a combination between necessarily practical and beautifully rhythmic, and one of Dean’s strengths is being able to fuse the two in passages that complement each other. Ordinary words have the power to transfix, and the sense of peering through a veil is never far off. “But pause for a moment,” she advises at one point. “You are standing where he would have stood, with only the thin veil of time between you. It is a heady feeling.”

Church of St. Mary the Virgin and
All Saints, Fotheringhay

Dean speaks of Fotheringhay, Richard’s birthplace, in conjunction with how the “River Nene winds around the mound and disappears in the distance”; of the spires of St. Mary the Virgin and All Saints and a “sleepy river,” adding that “[d]uring Richard’s time, the river would have been humming with activity. On Richard and Edward’s visit in 1469 the view would have been one of constant commotion as people scurried about to meet the king.” As readers we are privileged to catch this glimpse of Richard re-visiting his roots and taking care of and pride in who he is.

Nottingham Castle~This was one of Richard's most visited
castles, and where he and Anne learned the dreadful
news of their son Edward's death.

The ideal of knowing who you are based on where you are is deeply embedded in the travelogue and the author awards sense of place its rightful due by “illuminat[ing] his character through the places and events that shaped him into the man he became.” Indeed, many occasions prior to Richard contribute to place and shared history, and to this end the author also unpacks some of these moments to give readers a greater sense of what it may have meant to Richard himself. She often invites readers to imagine Richard at a certain place, or to see something lovely or meaningful through his eyes, and it is not difficult to contemplate Richard as an individual rather than a noble, duke, monarch or distant historical figure. Speaking of the Painted Chamber, once the scene of a momentous occasion, Dean elaborates how

…the sun would cast a rosy glow through the four windows in the chamber, illuminating the decorative paintings that graced its interior. Even the arches over the windows were covered with paintings, mostly heraldic images. It is easy to imagine Richard pausing from his duties as king and admiring these magnificent works of art with their deep hues of vermillion, ochre, and verdigris.

Penrith Castle, Cumbria~Dean writes of the "sandstone glowing in the sun" and tells readers
that "English Heritage credits him with adding large windows." It is easy to
imagine how breathtaking the scenery would have been, from inside and out. 
Photo Wikimedia Commons, user Northernheng

The author does not, however, romanticize Richard as someone he was not, and to that end she retains an extensive and admirable neutrality regarding his controversial life and opposing views as to what kind of person he was. Indeed more than once she references Lancastrians and Tudors within their humanity and expresses compassion regarding their losses. She does not seek to disparage and the questions raised about Richard pertaining to his nephews et al. are not addressed here.

The World of Richard III is likely to appeal to admirers of any era, WoR, prior or subsequent to, as well as those unfamiliar with even key players or events of Richard’s time. Those mildly or deeply interested in the Middle Ages, castles, cathedrals, architecture, travel, monarchy, and where we come from all will find rewards within the pages of this book. It is a history and reads not unlike a story, accessible and fascinating, bringing to life not only details of past lives, but also portraits of individual people who lived and loved, and sometimes lost in a time they recorded, deliberately and not, in the places they lived. We are brought to these magnificent locations and shown their splendor within the framework of one life influenced by countless others. We follow the trail of Richard, whose memories might include much of what is presented here, and in so doing learn a great deal more about who we ourselves are.

Warwick Castle was an historic structure even in Richard's day. Despite frequenting
magnificent buildings, Dean writes, "Richard may still have been awed by the castle's grandeur."

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For your chance to win a FREE HARDBOUND COPY of The World of Richard III, simply comment below OR at this review's Facebook thread, located here. 

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All photos courtesy of the author and ©2014 unless otherwise noted

About the Author: 

Kristie Dean has an MA in History and now enjoys teaching the subject, following a successful career in public relations. She has been published in several online magazines and local newspapers, and presented a paper at the International Congress on Medieval Studies. She lives in Tennessee, where she is currently working on her upcoming book, The World of the Yorks, which features locations associated with the York family. 

You can find more about Dean and her work at her website, her Facebook page and that of The World of Richard III.

The World of Richard III by Kristie Dean is published by Amberley Publishing, 2015. It is available to buy at all good bookstores, as well as online at the Amberley website, Amazon, Amazon UK and the Book Depository.

Added Notation: This review has been updated to include photograph credits

Lara's Library: A Song of Sixpence

A Song of Sixpence: The Story of Elizabeth of York and Perkin Warbeck

by Judith Arnopp

Review by Lara

Author Judith Arnopp has so generously offered a FREE PAPERBACK COPY of A Song of Sixpence for one lucky winner. Please see below for details

Drawing July 23, 2015

This drawing has been held and a winner announced at Facebook.

Please see new reviews for more chances!

We have a giveaway with every review!  

In the years after Bosworth, a small boy is ripped from his rightful place as future king of England. Years later when he reappears to take back his throne, his sister Elizabeth, now queen to the invading king, Henry Tudor, is torn between family loyalty and duty. Besieged by conflicting loyalties, Elizabeth experiences fear, oppression and unexpected love as the final struggle between the houses of York and Lancaster is played out.


Set against the court of Henry VII, A Song of Sixpence is a unique perspective on the early years of Tudor rule. Elizabeth, often viewed as meek and uninteresting, emerges as a resilient woman, proving that as much strength lies in endurance as in resilience.

Throughout history there are stories and legends that entice our imaginations. The tale of the two princes in the Tower is one of those. Another is the account of Perkin Warbeck. Even if you do not know the true facts or complete history of this time, nor the story of Perkin Warbeck, pretender to the English throne, A Song of Sixpence is an extraordinary book that will entice you to read further and set you on a road of discovery. 

This book is a wonderful journey through a most precarious and perilous chapter in the very beginnings of Tudor history. The format and characters, along with the storyline, are the result and testament of  penmanship and of great story-telling. I felt I was right there, in the presence and minds of the characters and time, more than just a voyeur looking in. In A Song of Sixpence the author does not attempt to prove that Warbeck is Richard, Duke of York, but has created a narrative based on a probability that he was.

The story begins with a chapter titled ‘The Boy’ in the autumn of 1483, London. It does not take too long for the reader to grasp what is happening, and to whom:

The Princes in the Tower

With a muffled curse, the man throws back his head but, keeping hold of his prisoner, he hurries onward down narrow, dark steps, turning one corner then another before halting abruptly. The boy hears his assailant’s breath coming short and sharp and knows he too is afraid.

The boy is Richard. His introduction begins as a prisoner in the Tower of London, taken in the night by a stranger, and then later treated as a slave: "'I hate being your servant,' he spits but he keeps his voice lowered… He owes his life to the man. His captor assures him that he is '...no one, nothing…until I say you are.'"


The author’s treatment of Richard is convincing. It makes me wonder, if he had succeeded in taking the throne, the Tudors would have ceased to exist and the lives of Elizabeth’s children would have come under threat, perhaps suffering the same fate as he. Through years of training and grooming in exile, he returns to claim his throne. One can only wonder, if this was Richard, how the trauma of his childhood, with all its losses, could ever make this broken boy into a king one day. Does he have his father’s qualities to be king? He has not yet been tested on the battlefield. Richard even doubts himself at times as the narrator suggests, when his chance to seize the throne arrives: "He had imagined that when the time came he would be brave, invincible, but now the moment is here, his overriding emotion is one of fear" and “I don’t even know how to be a king.” 

Richard is an endearing but sad figure who was accepted and celebrated in the houses and great courts throughout Europe, only to be ridiculed and humiliated before his demise at the hands of Henry Tudor. Richard at one stage laments about his role and wonders if his quest is worth the price. 

As a silent backdrop, the memories of Richard III and Elizabeth’s father, Edward IV, are interwoven between these two main characters, and adds to the validity of Warbeck’s assertion that he is the rightful king. Within the book's narrative Richard III, despite all he did to secure his own claim to the throne, is not portrayed as a monster, as most historical novels do. Although it was Richard who took the princes into the Tower, there is great disbelief in the characters that it was Richard who had killed or disposed of them. (The question of who killed the princes, if indeed they were murdered, remains one of history’s greatest mysteries.)                 

Henry VII & Elizabeth of York

The author presents Henry VII as a man whose claim to the throne was precarious. Arnopp’s Henry is wary of the successive pretenders to his reign, as he spends much time and effort in tracing the identity of each of these pretenders, especially Perkin Warbeck. This puts a considerable strain on the marriage of Elizabeth and Henry. The first Tudor king, Henry knows there are those who have a much better claim to the throne than he did.

Elizabeth had a greater claim to the throne than Henry Tudor. She knew her place, and her time as queen would come one day, even as the Battle of Bosworth was to decide the victor. "It is I, the eldest of my father’s daughters, who will be served like a pig on a platter to the triumphant king.” 

Henry Tudor eventually crowns Elizabeth Queen of England fourteen months after the birth of their first son, Arthur. Elizabeth has finally achieved her ambition to become queen. Elizabeth is often portrayed in history as a woman of no great strengths, other than her devotion to her family, and her inner relationships with her sisters and mother. Added to this, she has been contemporarily recorded as being “kept in subjection by the mother of the king” and by the king himself. Although Elizabeth is restrained in her role as queen, especially with Henry, it is only for fear for her children: "I watch him quietly. There is no point in interfering. He will not listen. He will go his own way, and if that entails the destruction of my entire family, it will not deter him."

As the tale unfolds Elizabeth is torn between her conscience and duty. She thinks to herself: "How can I trust him? How can I ever have faith in him when his duplicity is so transparent? I have an overwhelming urge to run away, but queens do not run away, and besides, there is nowhere for me to run."  Her courage shines through in her decisions to support her husband and king, and to protect her children from what she herself admits, that "her family had suffered." Elizabeth however, maintains hopes of romance with the harsh man she married: "Henry and I may have our differences but we share a deep love and joy for our children." I believe, as Arnopp states in her afterward, that "Elizabeth deserves more credit. There is as much strength in resilience as in resistance."

The relevancy, which Elizabeth faced in the Tudor times to today, in respect to being "bound to duty" and how a woman’s strength is measured, has not changed that much, even for a mere mortal woman like me. I loved Arnopp’s portrayal of Elizabeth, and although it seemed she was not a strong woman, I felt that she was. Elizabeth left a legacy: she had fulfilled her duty by filling the royal Tudor nursery with children, combining the houses of Lancaster and York, and as a result, creating the Tudor dynasty. I cried when she died in the end, even though I knew it was to be. Elizabeth of York will always be a heroine in my eyes.

Perkin Warbeck greeted by loyal subjects of 
Edward IV

Written with passion and empathy, Arnopp’s insight and extensive and faultless research shines throughout A Song of Sixpence. Arnopp has brilliantly mastered combining the story of Elizabeth of York, the eldest daughter of King Edward IV and Elizabeth Wydville, with the story of Perkin Warbeck, the most famous pretender to the throne. She cleverly uses alternating chapters between the points of view of Elizabeth and Richard (or ‘The Boy’ as the chapters are titled).  I enjoyed this refreshing format and Arnopp’s writing style. Using this layout, the author brings a voice and insight to the characters.

This is not just a novel of interpretation, but one of substance, with all that is known of Elizabeth and her new husband Henry Tudor, to the possibility of Perkin Warbeck being one of the princes taken from the Tower. A genuine page turner, A Song of Sixpence is brilliant in drawing the reader into the delicious historical detail and story, and as the author breathes life to the characters with her use of words, which are like vibrant colours on a canvas, she enables the reader to visualize the characters and ambience clearly. With empathic portrayals,  the reader experiences the intimate feelings of the characters, from their fears to their innermost thoughts and desires.

A Song of Sixpence is a stand-alone book in itself. One does not have to be an avid Tudor fan, historian, or enthusiast to enjoy this outstanding novel, which I would highly recommend to  readers of all ages and inclinations. I look forward to reading more of Arnopp’s novels and, having had the opportunity to review this masterly tome, Judith Arnopp is now on my list of favourite authors. I loved the book!

For your chance to win a FREE PAPERBACK COPY of A Song of Sixpence, simply comment below OR at this review's Facebook thread, located here. 

About the Author:

Judith Arnopp is the author of seven historical novels. The first three are set early in the historical calendar in Anglo-Saxon and Norman Britain; the latter books take place in Tudor England. She is currently working on a trilogy, The Beaufort Chronicles, which tells the story of Margaret Beaufort, mother of King Henry VII. Arnopp's books include:

Peaceweaver: Set during the run up to the Battle of Hastings

The Forest Dwellers: Set after the Battle of Hastings

The Song of Heledd: set in 7^th century Powys

The Winchester  Goose: At the Court of Henry VIII

The Kiss of the Concubine: A Story of Anne Boleyn

Intractable Heart: The Story of Katheryn Parr

A Song of Sixpence: The Story of Elizabeth of York and Perkin Warbeck

You can find out more about Judith and her work on her webpage or blog. Her books are available at Amazon.

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Lara is a new addition to The Review and currently working on a family memoir set in Ukraine and Australia. She enjoys gardening and reading Tudor history in her spare time, and lives with two crazy cats.