The Order of the Garter - Part three of the Windsor Castle trilogy by Diana Milne

Arms of the Order of the Garter: A cross of St George, circumscribed by the Garter

Arms of the Order of the Garter: A cross of St George, circumscribed by the Garter

The Order of the Garter is one of the oldest and most important chivalric orders in the world. It was founded by Edward III in 1348 upon his return from France, following his incredible victory at Crecy in 1346 and capture of Calais in 1347.

A fine Victorian period Most Noble Order of the Garter.

The order now comprises of the Sovereign, the Prince of Wales, and twenty four Knights Companion. At the time of its foundation, the Order consisted of King Edward III, together with 25 Founder Knights, many of whom had been by Edward's side in France. They are listed in ascending order of stall number in St George's Chapel:

King Edward III (1312–77)
Edward, the Black Prince, Prince of Wales (1330–76)
Henry of Grosmont, Earl of Lancaster (c. 1310–61)
Thomas de Beauchamp, 11th Earl of Warwick (d. 1369)
Jean de Grailly, Captal de Buch (d. 1377)
Ralph de Stafford, 1st Earl of Stafford (1301–72)
William de Montacute, 2nd Earl of Salisbury (1328–97)
Roger Mortimer, 2nd Earl of March (1328–60)
John de Lisle, 2nd Baron Lisle (1318–56)
Bartholomew de Burghersh, 2nd Baron Burghersh (d. 1369)
John de Beauchamp, 1st Baron Beauchamp (d. 1360)
John de Mohun, 2nd Baron Mohun (c. 1320–76)
Sir Hugh de Courtenay (d. 1349)
Thomas Holland, 1st Earl of Kent (1314–1360)
John de Grey, 1st Baron Grey de Rotherfield (c. 1300–59)
Sir Richard Fitz-Simon (b. 1295)
Sir Miles Stapleton (d. 1364)
Sir Thomas Wale (d. 1352)
Sir Hugh Wrottesley (d. 1381)
Sir Nele Loring (d. 1386)
Sir John Chandos (d. 1369)
Sir James Audley (d. 1369)
Sir Otho Holand (d. 1359)
Sir Henry Eam (d. before 1360)
Sir Sanchet D'Abrichecourt (d. 1345)[3]
Sir Walter Paveley (d. 1375)

They are all depicted in individual portraits in the Bruges Garter Book made c. 1431.

It is thought that the iconic emblem of the new Order developed from a strap or band worn in battle, maybe for identification of ones own side. The motto, Honi soit qui mal y pense, (the translation from Old French being "Shame be to him who thinks evil of it") has been interpreted as relating to Edward III's claim to the throne of France.

Historian David Nash Ford observes:

''Edward III may outwardly have professed the Order of the Garter to be a revival of the Round Table, it is probable that privately its formation was a move to gain support for his dubious claim to the French throne. The motto of the Order is a denunciation of those who think ill of some specific project, and not a mere pious invocation of evil upon evil-thinkers in general. 'Shame be to him who thinks ill of it' was probably directed against anyone who should oppose the King's design on the French Crown.''

An alternative explanation suggests that he uttered these words when stooping to pick up a garter of a lady of the court and wore it upon his own person. The lady is said to be Joan of Kent, his first cousin and daughter-in-law. Allegedly her garter slipped down to her ankle causing those around her to chuckle at her humiliation.In an act of chivalry Edward placed the garter around his own leg saying, "Honi soit qui mal y pense. Tel qui s'en rit aujourd'hui, s'honorera de la porter." The two phrases are often translated as follows: "Shame on him who suspects illicit motivation," followed by, "Those who laugh at this today, tomorrow will be proud to wear it."

Edward III - looking stony faced.

On foundation of the order, twenty six 'poor knights' were appointed to pray for the Sovereign and the twenty six knights of the Order and a three day festival for the new Order was observed regularly at Windsor for 200 years. Charles I placed new emphasis on the order adding the star badge to the insignia.The Military origins of the Order are represented by the Military Knights of Windsor, retired members of the armed services who live within  the Lower Ward and represent the Garter Knights at services in the chapel.

Soon after the founding of the Order, women were appointed "Ladies of the Garter", but were not made companions. King Henry VII discontinued the practice in 1488; his mother, Margaret Beaufort, was the last Lady of the Garter before Queen Alexandra.

Just as the appointment is in the gift of the Sovereign, The Sovereign may also "degrade" members who have committed very serious crimes, such as treason or fleeing the battlefield, or those who have taken up arms against the Sovereign.

From the late 15th century, there was a formal ceremony of degradation, in which Garter King of Arms, accompanied by the rest of the heralds, proceeded to St George's Chapel. While the Garter King of Arms read aloud the Instrument of Degradation, a herald climbed up a ladder and removed the former knight's banner, crest, helm, and sword, throwing them down into the quire. Then the rest of the heralds kicked them down the length of the chapel, out of the doors, and into the castle ditch. The last such formal degradation was that of James, Duke of Ormonde in 1716.

Today the Order is still a very important honour and also never exceeds the original number of recipients.

© Diana Milne October 2017

Photo 'A fine Victorian period Most Noble Order of the Garter'  from:
https://www.emedals.com/europe/great-britain/orders-decorations/order-of-the-garter/a-fine-victorian-period-most-noble-order-of-the-garter-gb2935

St George's Chapel: Windsor Castle, part 2

The College of St. George at Windsor Castle, in Royal Windsor, Berkshire, England, was founded by Edward III in 1348 as a body of priests and lay men who were dedicated to  daily prayer for the Monarch and all the faithful. Over 650 year later it still so remains, services, open to all, being held everyday of the year. The times of prayer, music, silence and readings follow a strict liturgical pattern through the week and throughout the church year. 

The chapel choir, comprising boys aged between seven and thirteen, sing regularly at eight services a week during term time and is described as 'an angelic joy' by one fortunate person who attended.  

Choir Practice

The boys attend St. George's School, situated just outside the castle.

The alms box

Pilgrims and visitors have visited the chapel since it was first built, many in the late 15th and 16th century coming to pray at the burial site of Henry VI, a very devout and pious man, considered by many to be a saint . There is a pilgrims' alms box that stands beside the the tomb that dates to c1480, and was made by John Tresilian.

Pilgrims were also attracted to the chapel by the Cross Gneth, which is now represented by a ceiling boss at the SE end of the chapel. The original, which disappeared in the 16th century, came about by a story being told of  a priest named Neotus, bringing back a piece of the one true cross to from the Holy Land to Wales, where it became a national treasure, before falling into the hands of of King Edward I in 1283. It was given to the chapel by Edward III after his creation of the Order of the Grater.

On my recent visit, I stood transfixed staring up at this ancient artifact, resplendent in it's colours of blue and red and covered with shimmering gold leaf. If I, a twenty first century woman with technology at  her finger tips, can find such power in this image, I can only begin to imagine how it would have appeared, in flickering taper light to my ancestors...

Cross Gneth

The architecture of the the chapel is not from the 13th century but from the two following centuries. When in 1348 Edward III founded the previously mentioned order of chivalry, The Order of the Garter, he also founded the 'college', not the college as we know it today but the group of clergy and laity who lived together as a community. His great great grandson, Edward IV ordered the erection of the present building and chose it for his eventual burial place, where he lies with his wife, Elizabeth Woodville. It is a spectacular example of perpendicular architecture, large windows and slender pillars giving and appearance of light and delicacy, added to by the pale colour of the Taynton stone. The fan ceiling with its numerous bosses and the friezes of stone angels lining the entire chapel draw the eye up.

The highlight of the visit for me was seeing the Hasting's Chantry in the North Quire, the resting place of William, Lord Hastings*, one time friend of Edward IV, executed on June 13th 1483 with no trial by the Duke of Gloucester. The chantry hosts an early 16th century painting of the martyrdom of St Stephen.  (William, Lord Hastings is the historical character I would most like to have met.) 

The martyrdom of St George.

In part 3 of this blog on Windsor Castle, I will be talking about the state rooms and apartments.

A floor plan of the chapel.

Key to numbered locations

1 - Nave - This is a good spot to view the slender Perpendicular Gothic columns which soar up to the fan-vaulted ceiling overhead. 

1a - Cenotaph of Prince Imperial - A memorial to the son of Napoleon III and Empress Eugenie of France, killed in the Zulu War in 1879. 

2 - Beaufort Chantry - The marble tomb of Charles Somerset (d. 1526) and his first wife. 

3 - West Nave Central - The richly decorated bosses in the roof above the nave bear the coats of arms of Henry VII, his family and court officials. 

4 - Urswick Chantry - This chantry chapel, built in 1507, commemorates Dean Urswick, confidant of Henry VII. In the chaple is a marble monument to Princess Charlotte, daughter of George IV, who died in childbirth in 1817. 

5 - Tomb of George V and Queen Mary 

5a- Rutland Chapel (not generally open to the public) - The chapel houses the tomb of George Manners, Lord Roos (d. 1513), and his wife Anne. 

6 - King George VI Memorial Chapel and Tomb 

7 - Hastings Chantry - Chantry chapel for Lord Hastings (d. 1483), who was executed by order of Richard III. 

8 - Edward IV's Tomb - The king (d. 1483) and Queen Elizabeth Woodville lie here. 

9 - Wrought Iron Gates - These intricate gates were designed to protect the tomb of Edward IV. 

10 - Tudor Oriel Window - The ornately carved wooden window was built by Henry VIII as a gallery for Katherine of Aragon. 

11 - Reredos and East Window - Built in 1863 as a memorial to Prince Albert, consort of Queen Victoria. 

12 - Garter Stalls - Most of the stalls were carved 1475-1483. Each stall bears the insignia of current Knights of the Garter. Brass and copper plates bear the arms of past knights from the 14th century to the present. 

13 - Royal Vault - George II, George IV, and William IV are buried here, with other members of the royal familiy. 

14 - Tombs of Henry VIII and Charles I 

15 - Roof Bosses - At the crossing are the arms of Henry VII and those of the Garter Knights 

16 - The Royal Stalls

17 - West Window - The stained-glass window, completed in 1509, portrays 75 royals, saints, and popes. 

18 - Bray Chantry - Tomb of Sir Reginald Bray (d. 1503). 

19 - Oliver King Chapel - Oliver King was Canon of Windsor (1480-1503) and later Bishop of Bath and Wells. He was secretary to no less than 4 kings, whose portraits appear on the opposite wall. 

20 - Edward III's sword - The battle sword made for King Edward, measuring 6 feet 8 inches long. 

21 - Oxenbridge Chantry - Chantry tomb of a canon of Windsor (d. 1522). Over the door of the chapel are an Ox, a letter 'N', and a Bridge. 

22 - Henry VI's Tomb - Henry was reburied here in 1484. The tomb was the scene of reported miracles, making it a pilgrimage destination. There is an alms box made of wrought-iron beside the tomb to receive the gifts of pilgrims. 

23 - Tomb of Edward VII (d. 1910) and Queen Alexandra 

24 - Lincoln Chapel - Within the chapel is the tomb of the Earl of Lincoln (d. 1585) and his third wife. This chapel was originally dedicated to Master John Schorn (d. 1314). 

25 - East Doors - Beautiful 13th century ironwork frames the doors (built 1240), which once formed the entry to Henry III's Chapel. 

26 - Dean's Cloister - The interior tracery of the cloister was built in 1352.

* In a later blogs I will be discussing Lord Hastings in detail and also discussing the painting and the possible reasons for it hanging in Hastings' Chantry.

Images from:
Choir practice
Burial site of Henry VI
The alms box
Cross Gneth

Windsor Castle - part one - a brief history of the Castle in Mediaeval and Renaissance times.

Throughout its millennium plus history, Windsor Castle has always been a 'work in progress'. Four monarchs of England have made the most impression on it: William I, known more often as William the Conqueror, chose the location, founded the castle and established its rough outline and plan; Edward III rebuilt much of it in a Gothic style and established the royal apartments; Charles II transformed it into a Baroque Palace and lastly George IV, who restored a considerable amount of the exterior, altering it to conform with the then modern desire for a romantic castle ideal.

The two eras of history I will be concentrating on in this article are the ones within the time frame of the Mediaeval and Renaissance eras of English history. 

William I began building at Windsor around 1070 and his work was finished by 1086. The castle is one of a chain of fortifications around London and is situated in the only naturally occurring defensive position in this part of the Thames river valley, being 30 metres -  (almost 100 feet) - above the water. Windsor is the only one of this ring of castles to survive the assault of time.

Slightly later than our time frame, this is a model of defensive fortifications and lines of communication around London in the English Civil War.

Norman castles were built to a standard plan. An artificial earth mound supported a keep (motte),

the entrance of which was protected by a fenced yard (bailey). At Windsor, unusually, there were two baileys, an upper and a lower one, known today as the Upper and Lower Wards, one either side of the motte. The outer walls of the castle were surrounded by a ditch which only partially survives.

The moat as it is today

Although the castle was built to keep secure the western route to London, the proximity to a royal hunting forest and to London, made it an ideal residence. As early as 110, Henry I had living quarters there and his grandson, Henry II, built two sets of apartments, a state residence in the lower Ward and a small family lodging in the Upper Ward.

Fine examples of the Bagshot Heath Stone and yellow Bath stone in situ.

When first built, the castle was made from timber but Henry II began to replace the timber with durable stone. Much of it is built of Bagshot Heath stone and the Gothic details in yellow Bath stone. The interior is mostly finished with Bedfordshire stone.

The outer walls are punctuated by towers. Those ordered by Henry II are square whilst those from Henry III are D shaped.

Henry II towers 

The 'Warrior King,' Edward III spent £50,000 transforming the castle from a place of fortification to a Gothic Palace, reflecting his ideal of a chivalric, Christian monarchy. The Lower Ward was transformed by buildings for the College of St. George, founded in 1348. The Chapel that had been built there a century earlier had been dedicated to St Edward the Confessor, but it was Edward who first associated the Castle and the College with St. George, who was the patron saint of the new Order of the Garter.
(I will be writing about St George very soon) 

Part of the Quadrangle as it is in September 2017

William Wykeham, Bishop of Winchester directed the extensive building works taking it to a level that was way and above that necessary for a purely defensive edifice. One particularly impressive example of this is the Great Range, overlooking the Quadrangle, accommodating the King's Great Chamber, St George's Hall and the Royal Chapel. This was lit by 17 tall arched windows and matching fortified entrance towers. This was intended to form a magnificent back drop for the spectacular tournaments and jousts held within the Quadrangle and also functioned as the castle's tilt-yard.

Moving on to the time of Henry VIII, at the time of his death, the king owned over 60 houses and palaces, travelling between his many residences. It was here at Windsor in 1522 that he received the Holy Roman Emperor Charles V, to conclude an alliance against France. The only really significant addition to the fabric of the castle ws his addition of a gate that bears his name at the bottom of the Lower Ward, through which visitors leave. 

A gate wide enough for King Henry VIII

Henry is buried in St. George's Chapel together with his favourite wife, Jane Seymour. It was a strange sensation to be standing at the grave of the king... I had very damp eyes 
often in that chapel.

Probably wise, but I would so much have
liked a photograph of my own.

Photo from 'Find a Grave'

Edward VI did not like Windsor and probably would have gone on to bring galleries and gardens to it had he lived long enough, but Mary I refaced many of the of the houses for the Military Knights in the Lower Ward  and her arms, together with the arms of her Spanish husband Philip, can be found hanging on the old belfry tower, known today as the Mary Tudor Tower, the residence of the Governor of the Military Knights.

By the time the first Elizabeth came to the throne, many parts of the castle were in drastic need of repair and a major building campaign was started in the 1570s. Henry VIII's terrace walkway was described as a 'verie great ruyn' and the Western end of the chapel was 'verie ould ruinous and far oute of order redie to fale down, ' (we all have days like that :-) ) The terrace walkway was completely renewed in stone with a very elaborate ornamented balustrade and the Royal Chapel was remodelled and fitted with stalls, a gallery and a panelled ceiling.

Elizabeth also added a long gallery in which to walk and admire the far off view to the north during poor weather  as she loved to be out in the air but hated to be 'russled by the wind'.

I will now conclude with some random shots of the castle....

Enjoy! 

Unless otherwise attributed, all photos in the blog together with the blog itself are by Diana Milne September 2017 © 
Image of Edward III from English Monarchs

PAULA READS: Under The Approaching Dark by Anna Belfrage

This is the third novel in acclaimed Anna Belfrage's series the King's Greatest Enemy and so far I believe this to be the best.

The author has kindly donated an ebook to one lucky winner. All you have to do is leave a comment after the post or on our Facebook page  and the draw will take place on Wednesday 3rd of May! Good luck!

Edward II is held prisoner at Kenilworth Castle, having been dethroned by his queen, Isabella, and her lover, Lord Mortimer. Handsome and courageous knight, Adam de Guirande is waiting to travel to Westminster leaving his fiery wife, Kit, at home in Tresaints, nursing her newborn son, Ned. Things are not the happiest at court, for the young Prince Edward is not overjoyed that his father is a prisoner, and relations with his mother and Lord Roger have cooled somewhat. Things are about to become more complicated, as Prince Edward is soon to become a king, and then the problem of what to do with the old king arises, especially when rebellion rears its ugly head. As usual, Adam and Kit are dragged unwillingly into the very centre of the conflict. It is not long before they find that their lives are in danger. Those loyal to Edward Snr, plan to rescue him, and an old enemy turns up to exact his revenge from them, in the most terrible and horrific way.

As I said in my opening sentence, I believe this to be the best in the series so far. The King's Greatest Enemy series has got better with each book. The first two are true nail-biters, unequivocal in the way they keep you turning the page well past your bedtime! If a book can't keep me wanting more, and not want to sleep until I've read one more page, or one more chapter, then all I can say is, its not as good as it should be. The King's Greatest Enemy series has that quality, however this, the third, has a slower, but surer pace. There is a much slower build up of the tension, but because I have already read the first two books, I am waiting, just waiting, for the 'fun' to start and for me to find myself whipped up into a roller coaster ride of heart-stopping havoc. You feel you are stepping onto a knife edge, knowing something is coming, but you don't know when. I can honestly say, that its a rare quality in a book, I find, that can make me feel a sense of joy when I read, but this book does that for me.

The author knows her period well, and is able to weave the salient points into the story with ease and skill, and without feeling that she has to info dump in all the historical detail, thus spoiling the story. The characters of Kit and Adam are extremely likable, and expertly drawn, and I have to confess that I prefer this Kit of earlier. She is maturer, and with that maturity has come wisdom and gentle forbearance, which she did not possess before. Adam has grown into the man he was destined to be, strong, honest, possessing the moral fibre expected of a knight. But he also has his sensitive side, which the author allows him to show, every once in a while. Even the minor and supporting characters have all grown, either for the worst or the better. An example is Mortimer, once that shining example of a goodness, whom Adam had looked up to all his life and has become somewhat tainted by his own success, but is humanly played by this author's version of him.
The author's prose is not sunk into a quagmire of archaic mud, but is written using a mixture of modern and olde-worldy, though there is more of the new than the old. For those who prefer more of the use of antiquated language, they may not be happy with some of the phrases, but for me, I would prefer to understand than have to wade through a marsh of obsolete words.
This book has more romance than battle in it, but it is not a 'ladies book' full of sickly romance and corny sex. There are many facets that make up the story, one of them being intrigue and murder, and I dare any reader to not find it to their liking unless they are only interested in blood, guts and gore and no story.
As I said, romance plays a big part in this book, and I must be honest, I'm not a fan of the historical romance genre, however this is not like the usual romantic yarns where the relationship between 2 people is at the core of the narrative. Despite all the other aspects that fill the pages, Kit and Adam's love for each other still manages to shine through the deceit, the greed and the immoral hypocrisy of the times, and it is easy to see how the Mr & Mrs Beckhams of the 14thc are fast becoming everyone's favourite couple. I absolutely adore them.

Google the words Historical fiction definition, and this is the first search that comes up as defined by yourdictionary.com which says: Historical Fiction is defined as movies and novels in which a story is made up but is set in the past and sometimes borrows true characteristics of the time period in which it is set. A novel that makes up a story about a Civil War battle that really happened is an example of historical fiction.
Under the Approaching Dark fulfills this simple explanation, being a made up story, set in the 14thc against the true characteristics of the period and with true historical events as its background. Within this scope, Ms Belfrage had added other elements, one being the love story of two people who were initially thrown together against their wills and defy the odds and fall hopelessly in love. There are, of course, included within the narrative true events, and there is hatred, betrayal, danger and adventure also thrown into the mix. Through the eyes of our two love-birds, Kit and Adam, we are able to see how the affect of Lord Mortimer's affair with the wife of the deposed king, Edward II, plays out, causing rifts within the kingdom, amongst the nobles and between the young king Edward III and his mother. Essentially, Ms Belfrage is very cleverly killing two birds with one stone, by appealing to those who love the romance aspect of the story and to those who like the history and the characteristics of the world. Perhaps one characteristic in particular being the pugnacious world of knights, male camaraderie and the violence of the era.
Trying to write historical fiction that pleases everyone can sometimes be a thankless task, for some people might pick on this word, or that word, as not belonging to that era. In my opinion, as long as someone does not write, for example, "oh golly gosh", then I'm generally ok with modern language being used. Ms Belfrage, in my opinion, uses just about the right mix for something written in this time. Most importantly, I 'get' it and it doesn't ruin my experience like some books I have read that read like Shakespeare.
Now, I know that there are some readers who skim through sex scenes for whatever their own reasons might be. When writing something romantic, is it right that in whatever era, we should ignore what happens behind closed doors, after all, it is often shown very graphically on film and TV, these days? (I wonder if people skim the sex scenes in films also?)...Not in this book, though, does the author shy away from sex. Miss Belfrage is a skillful writer of romance and sex. If you take the time to read some of her beautiful scenes, you will see that there is more to them than just two people humping each other. Skillfully, Ms Belfrage will engage the reader in these scenes by allowing them to assimilate the emotions of the characters. And, because the relationship between Kit and Adam is such an important aspect of the story, to skip these scenes is like missing a whole set of episodes in a TV series, you will lose the essence of the story. These scenes are some of the most tenderest ever written by an author and if there were an award for such a thing, Ms Belfrage would win it.

...He touched his lips to hers, a chaste caress, no more. "Can we stop talking about this?"
She nodded, her eyes luminous pools of darkness.
"Good."  This time, he kissed her until there was no air left in his lungs, until his blood pounded through his veins and all he could think was of her.

Belfrage shows the story through Kit and Adam's point of view only, so at least one or the other is in every scene. As mentioned before, the couple have grown and matured throughout the books and whereas I have always loved Adam, I was not totally enamoured by Kit in the beginning. I did like her character, however she was often complaining about something to do with Adam, and not always without cause, but once everyone could see how much Adam loved her, she continued to accuse him wrongly of being unfaithful and I wanted to jump right in the book and slap her silly face! She was also quite wilful, and for some strange reason I didn't like it too much, however, toward the end of the last book, I was warming to her and once I'd settled into Under the Approaching Dark, I decided that I liked her a lot more. She has matured, and although she is still fiery and passionate, I feel it is appropriately channelled. Truthfully, I think there is a lot about Kit that reminds me of myself! Apart from her beauty and red hair of course!
One of the other things I liked most about this book is Belfrage's use of dialogue. The author clearly adept at using appropriate dialogue and not resorting to 'telling' the story, which for me, is often a lazy way of writing because you don't have to work as hard when crafting relationships between characters, or designing an exciting scene. You can feel the tension as Mortimer and the young King Edward cross words:

"Are you unhurt, my lord? Adam's hands flew over the king's arms, his head. 

"Leave me alone!" Edward shook him off, but not before Adam felt the tremors running through him...Edward's face was streaked with mud and dominated by wide eyes. His hair was a mess, the fine linen of his shirt torn and dirty.

"What are you waiting for?" the king asked, eyes darting from one dead man to the other. "Sit up and ride.Ride, damn it, and kill every single one of them."

"They have the advantage." Mortimer handed his sword to one of his squires. "We ride against them, they slaughter us."

"I did  not take you for craven," Edward said. There was a collective intake of breath. Mortimer took one long step towards the king, who sidled away from him.

"What did you say?" Lord Roger's voice dropped dangerously low.

"I called you craven." Edward straightened up.

"No man has ever called me that and lived. Count yourself fortunate you're nothing but an untried lad." Mortimer nudged at the closest corpse. "He died for you, my liege. so did tens of others. And you would waste more lives just to soothe your wounded pride?" 

This book is beautifully crafted by an author who has won many awards, including IndieBRAG, and Indie author award from the HNS. You just cannot go wrong with a book that has been created by someone with such an accolade. Under the Approaching Dark  is the perfect recipe for an historical fiction novel, it has it all going on: kings, queens, knights, conflict, damsels in distress and villains who need destroying. All this against a well-researched historical background of an era I neither knew nor cared little about but now feel that this may be one of the most interesting eras.
Ms Belfrage writes exceptionally well, and there is never a boring or dull moment as we allow ourselves to be immersed in the fascinating world of the 14thc. I highly recommend this book to all no matter what genre you prefer, because as a book, it is a joy to read.

About the Author

I was always going to be a writer - well in between being an Arctic explorer, a crusader or Richard Lionheart's favourite page (no double entendre intended - I was far too innocent at the time) Anyway, not for me the world of nine to five, of mortgages and salary checks. Oh no; I was going to be a free spirit, an impoverished but happy writer, slaving away in a garret room.

Life happened. (It does, doesn't it?) I found myself the bemused holder of a degree in Business Admin, and a couple of years later I was juggling a challenging career, four kids, a husband (or was he juggling me?) a jungle of a garden, a dog, a house ... Not much time for writing there, let me tell you. At most, I stole a moment here or there.

Fortunately, kids grow up. My stolen moments became hours, became days, weeks, months... (I still work. I no longer garden - one must prioritise) It is an obsession, this writing thing. It is a joy and a miracle, a constant itch and an inroad to new people, new places, new times.

You can find Anna at her Website

And you can buy her books here

Paula Lofting is the author of Sons of the Wolf and The Wolf Banner 

You can also find me at my blog

1066: The Road to Hastings and Other stories