The Dead Virgins
by Kevin Ashman
A review by Linda Root
Please see below for giveaway details!
Please see below for giveaway details!
Kevin (K.M.) Ashman combines his skill as a historical
novelist with his ability as a natural storyteller in his well-constructed,
two-plotted tale The Dead Virgins. He also builds enough interest in his
contemporary characters India and
Brandon to lure us to the sequel which is now high on my “to be read” list. With a strong devotion to historical accuracy
in my own books, I applaud Ashman’s research into Nero’s Rome and the highly
interesting subject of the Vestal Virgins, whose exact role in Roman culture remains
enigmatic. I did cringe a bit at the use of the term “okay “ coming from the
lips of Romans of the first century A.D.
Also, because my own novels are set in Reneaissance and Early Modern
Scotland, I winced at the use of popular
modern swear words which rank among the
unique contributions of 15th and 16th century
Scots to modern English vocabulary. There were Roman versions of all three
words, fuquo, for example. That Ashman uses the modern Scots version is
a matter of creative license, and not something that substantially detracts
from the book to anyone but a Latin scholar. Perfectionists might suggest an
additional line edit, but the occasional glitches occurring for the most part at the beginning of the
story are easily overlooked by anyone who is not reading with a blue pencil
stuck behind the ear.
It is notable that The Dead Virgins is presented with a
title and cover true to the story. Perhaps I am being excessivly analytical,
but to me, the title The Dead Virgins communicates
a subtle and enticing hint of the historical which would not be present had the book been entitled Dead Virgins, and which provides a clue
that Ashman’s dead virgins are going to
be special.
There are two timelines to this novel – one occuring in
Britain in 2010 and the other, in Rome and Roman Britannia during Nero’s reign. Ashman treats the
logistic challenges especially well. The
reader experiences no confusion in knowing into which storyline he or she has
been deposited when there is a change in point of view and setting. Another
notable feature of Ashman’s work and this book especially is that it is not
overly populated with ancillary characters who do not move the plot ahead. The principal Roman characters-- the Vestal
Rubria, the centurion and the female slave are believable and I was delighted
with Ashman’s development of a love interest that satisfies all three.
In the part of the
tale set in modern times, the co-protagonists Brandon and India are at first
glance somewhat stereotypical, he being
the undercover operative seeking to recover a missing child, and she being the
researcher who is drawn to help him because of the possible existence of an
important first century artifact. Ashman
saves them from becoming clones of other writers who use similar combinations
of female scholar and male strongman by keeping their relationship
professional and their approaches to the
issues consistent with their individual biographies. I would have liked to have
seen a different resolution of the role of the taxi driver but the one Ashman chooses
is the more realistic. He also resists giving superhuman strengths or flawless
morals to his heroes. I am less enchanted by the character India Sommers, but
encouraged that Ashman has not written her as if she were a runway model with a
Ph.D.
As someone who has worked in the past with traumatized
childen, I appreciated the manner in which Ashman brings the kidnapped minister’s
niece into the story without overdoing it. Missing children seem to sell books,
but this particular storyline could have been ruined by a third subplot. All in all, I will be reading the
sequels based on the teaser at the end
of the first book in the series, as well as my curioisity as to where India
Sommers and Brandon Walker are going to take us in The Treasures of Suleiman.
The author is also graciously offering a free copy of The Dead Virgins to one lucky winner! To get your name in the hat for the drawing, simply comment below. Facebook users may also comment here.
Linda Root is the author of the five books of the Queen of Scots Suite, including 1603: The Queen’s Revenge, coming in April 2014.
Yes, please enter me for the draw of what sounds like a great read!
ReplyDeleteGreat review!
ReplyDeleteThis sounds like an intriguing read
ReplyDelete