Thursday, 23 July 2015

Robert Reviews: TimeStorm


TimeStorm
by Steve Harrison
Reviewed by Robert Southworth

Author Steve Harrison has so kindly offered a FREE PAPERBACK COPY of TimeStorm to one lucky reader. Please see below for your chance to win!
Drawing July 30, 2015

This drawing has been held and a winner announced at Facebook.
Please see new reviews for more chances!

We have a giveaway with every review!


TimeStorm is a recipient of
the Highly Commended
category in the Fellowship
of Australian Writers (FAW)
National Literary Awards,
Jim Hamilton Award
TimeStorm begins briefly in the modern day and centres upon a sixteen-year-old boy called William. Then, quite abruptly and with no small skill on behalf of the author, it throws you back a few centuries to 1796, aboard a ship in the Tasman Sea. As the novel moves forward, weather-beaten sailors and hardened convicts alike are transported into the future. To use author Steve Harrison's own words:

TimeStorm is a thrilling epic adventure story of revenge, survival and honour set in a strange new world of unfamiliar technology and equally unfathomable social norms. In the literary footsteps of Hornblower comes Lieutenant Christopher 'Kit' Blaney, an old-fashioned hero, a man of honour, duty and principle, dragged into the 21st century… literally.

Firstly, I would like to mention that TimeStorm is not in any way the type of novel I would usually read. I was so far out of my comfort zone it was like looking for my arm chair from the moon. That said, I believe it is important as both reader and author to experience tales of all types as they give us new perspective in what we can demand from books, and also spur on creative thinking in our own works.  So with a mixture of trepidation and excitement I began. Any fears that I may have had were soon dispelled with the first few pages. The author shows great skill in presenting a picture of modern life, the humdrum existence of a young man with too much time on his hands. As a reader you just begin to settle into the pace of young William’s life and suddenly you are picked up and thrown bodily onto the creaking timbers of a convict ship over two hundred years in the past.

The book moves at a fine pace, keeping you turning the pages with a sense of anticipation. This is helped along the way not only with an intriguing storyline but also the well-developed characters. It is true that some have been sculptured more than others, but all are believable and add to the novel's integrity. I can’t think of one character who is mere window dressing. It’s at this point I must mention Blaney, an officer aboard the ship. I loved this character, and in the blurb he is described as a heroic figure similar to the likes of Hornblower. I could not agree more; heroic and honourable are cut from the same cloth as C. S. Forester’s most notable hero and Cornwell’s Sharpe.

Worth mentioning is the descriptive writing around life aboard the ship. I have very limited knowledge around nautical life in the 18th century, so it was important to me as a reader that the author created an atmosphere that ensured a sense and feeling of the craft and crew in this era. He delivers this skilfully without interrupting the story with too many mundane inner workings of a ship. Coupled with how those characters react to being torn from their native time to a world that differs from theirs in almost every way makes for a very exhilarating read. I believe that Mr. Harrison the author fused his characters together well; they interacted in a way that was true to the era and to them as individuals.  Of course the book has its serious moments but the author has managed to interject snippets of humour that helped the novel in its entirety.

Karen sighed. She had not anticipated a language barrier. ‘I suppose you must be a foreigner.’
A shadow came across the man’s face and his body stiffened. Karen shivered, sensing for the first time an element of danger in the man. He sat up straight and turned to her coldly. ‘Good Lord, no, madam,’ he said crisply, ‘I am an Englishman!’

TimeStorm is written in a format I have not encountered before, and differs from the traditional chapter numbers or headings. Instead each is labelled with a character's name and the segments alternate between them; the start of main sections also include dates.

When I have summarized books in the past I have had a reference point: a place where I thought the book would begin and take me on a journey and I would give my opinion on that journey. This book in many ways has been more remarkable as I never had a starting point, because the novel is so far removed from my usual reading material. It is like getting on a mystery bus tour, where the driver not only has no clue where they are going, but is also blindfolded. All I can say is that I felt the novel was entertaining and well written, with diverse and interesting characters. The fact that time travel is involved is neither here or there, because the skill in which the author has written about the individuals and the trials they face is of such a high quality, that it is on them the reader concentrates. If I had to give the book a rating, I would not have any qualms about placing a more than healthy four stars next to the title.

For your chance to win a FREE PAPERBACK COPY of TimeStorm, simply comment below OR at this review's Facebook thread, located here

About the Author:

Steve Harrison was born in Yorkshire, England, grew up in Lancashire, migrated to New Zealand and eventually settled in Sydney, Australia, where he lives with his wife and daughter. As he juggled careers in shipping, insurance, online gardening and the postal service, Steve wrote short stories, sports articles and a long running newspaper humour column. In recent years he has written a number of unproduced feature screenplays (although being unproduced was not the intention) and developed projects with film producers in the US and UK. 
 
His script, Sox, was nominated for an Australian Writers’ Guild ‘Awgie’ Award and he has written and produced three short films under his Pronunciation Fillums partnership. Prior to publication, his novel TimeStorm was Highly Commended in the Fellowship of Australian Writers (FAW) National Literary Awards, Jim Hamilton Award, in the fantasy/science fiction category, for an unpublished novel of sustained quality and distinction by an Australian author.

You can learn more about Steve Harrison and his work at his blog (which also includes the fascinating story behind TimeStorm), his super fun Facebook page and Twitter. You may also purchase TimeStorm at AmazonAmazon UK and the Elsewhere Press TimeStorm page.


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Robert Southworth, a big time Aston Villa fan, is the author of Wrath of the Furies and three books of the Spartacus series, and can be found on his Amazon author page and Twitter. He is currently at work on his new Ripper series, and you can purchase his books at Amazon and Amazon UK


Thursday, 16 July 2015

Lara's Library: A Song of Sixpence

A Song of Sixpence: The Story of Elizabeth of York and Perkin Warbeck
by Judith Arnopp

Review by Lara

Author Judith Arnopp has so generously offered a FREE PAPERBACK COPY of A Song of Sixpence for one lucky winner. Please see below for details
Drawing July 23, 2015

This drawing has been held and a winner announced at Facebook.
Please see new reviews for more chances!

We have a giveaway with every review!  


In the years after Bosworth, a small boy is ripped from his rightful place as future king of England. Years later when he reappears to take back his throne, his sister Elizabeth, now queen to the invading king, Henry Tudor, is torn between family loyalty and duty. Besieged by conflicting loyalties, Elizabeth experiences fear, oppression and unexpected love as the final struggle between the houses of York and Lancaster is played out.


Set against the court of Henry VII, A Song of Sixpence is a unique perspective on the early years of Tudor rule. Elizabeth, often viewed as meek and uninteresting, emerges as a resilient woman, proving that as much strength lies in endurance as in resilience.

Throughout history there are stories and legends that entice our imaginations. The tale of the two princes in the Tower is one of those. Another is the account of Perkin Warbeck. Even if you do not know the true facts or complete history of this time, nor the story of Perkin Warbeck, pretender to the English throne, A Song of Sixpence is an extraordinary book that will entice you to read further and set you on a road of discovery. 

This book is a wonderful journey through a most precarious and perilous chapter in the very beginnings of Tudor history. The format and characters, along with the storyline, are the result and testament of  penmanship and of great story-telling. I felt I was right there, in the presence and minds of the characters and time, more than just a voyeur looking in. In A Song of Sixpence the author does not attempt to prove that Warbeck is Richard, Duke of York, but has created a narrative based on a probability that he was.

The story begins with a chapter titled ‘The Boy’ in the autumn of 1483, London. It does not take too long for the reader to grasp what is happening, and to whom:

The Princes in the Tower

With a muffled curse, the man throws back his head but, keeping hold of his prisoner, he hurries onward down narrow, dark steps, turning one corner then another before halting abruptly. The boy hears his assailant’s breath coming short and sharp and knows he too is afraid.

The boy is Richard. His introduction begins as a prisoner in the Tower of London, taken in the night by a stranger, and then later treated as a slave: "'I hate being your servant,' he spits but he keeps his voice lowered… He owes his life to the man. His captor assures him that he is '...no one, nothing…until I say you are.'"


The author’s treatment of Richard is convincing. It makes me wonder, if he had succeeded in taking the throne, the Tudors would have ceased to exist and the lives of Elizabeth’s children would have come under threat, perhaps suffering the same fate as he. Through years of training and grooming in exile, he returns to claim his throne. One can only wonder, if this was Richard, how the trauma of his childhood, with all its losses, could ever make this broken boy into a king one day. Does he have his father’s qualities to be king? He has not yet been tested on the battlefield. Richard even doubts himself at times as the narrator suggests, when his chance to seize the throne arrives: "He had imagined that when the time came he would be brave, invincible, but now the moment is here, his overriding emotion is one of fear" and “I don’t even know how to be a king.” 

Richard is an endearing but sad figure who was accepted and celebrated in the houses and great courts throughout Europe, only to be ridiculed and humiliated before his demise at the hands of Henry Tudor. Richard at one stage laments about his role and wonders if his quest is worth the price. 

As a silent backdrop, the memories of Richard III and Elizabeth’s father, Edward IV, are interwoven between these two main characters, and adds to the validity of Warbeck’s assertion that he is the rightful king. Within the book's narrative Richard III, despite all he did to secure his own claim to the throne, is not portrayed as a monster, as most historical novels do. Although it was Richard who took the princes into the Tower, there is great disbelief in the characters that it was Richard who had killed or disposed of them. (The question of who killed the princes, if indeed they were murdered, remains one of history’s greatest mysteries.)                 


Henry VII & Elizabeth of York
The author presents Henry VII as a man whose claim to the throne was precarious. Arnopp’s Henry is wary of the successive pretenders to his reign, as he spends much time and effort in tracing the identity of each of these pretenders, especially Perkin Warbeck. This puts a considerable strain on the marriage of Elizabeth and Henry. The first Tudor king, Henry knows there are those who have a much better claim to the throne than he did.
Elizabeth had a greater claim to the throne than Henry Tudor. She knew her place, and her time as queen would come one day, even as the Battle of Bosworth was to decide the victor. "It is I, the eldest of my father’s daughters, who will be served like a pig on a platter to the triumphant king.” 

Henry Tudor eventually crowns Elizabeth Queen of England fourteen months after the birth of their first son, Arthur. Elizabeth has finally achieved her ambition to become queen. Elizabeth is often portrayed in history as a woman of no great strengths, other than her devotion to her family, and her inner relationships with her sisters and mother. Added to this, she has been contemporarily recorded as being “kept in subjection by the mother of the king” and by the king himself. Although Elizabeth is restrained in her role as queen, especially with Henry, it is only for fear for her children: "I watch him quietly. There is no point in interfering. He will not listen. He will go his own way, and if that entails the destruction of my entire family, it will not deter him."

As the tale unfolds Elizabeth is torn between her conscience and duty. She thinks to herself: "How can I trust him? How can I ever have faith in him when his duplicity is so transparent? I have an overwhelming urge to run away, but queens do not run away, and besides, there is nowhere for me to run."  Her courage shines through in her decisions to support her husband and king, and to protect her children from what she herself admits, that "her family had suffered." Elizabeth however, maintains hopes of romance with the harsh man she married: "Henry and I may have our differences but we share a deep love and joy for our children." I believe, as Arnopp states in her afterward, that "Elizabeth deserves more credit. There is as much strength in resilience as in resistance."

The relevancy, which Elizabeth faced in the Tudor times to today, in respect to being "bound to duty" and how a woman’s strength is measured, has not changed that much, even for a mere mortal woman like me. I loved Arnopp’s portrayal of Elizabeth, and although it seemed she was not a strong woman, I felt that she was. Elizabeth left a legacy: she had fulfilled her duty by filling the royal Tudor nursery with children, combining the houses of Lancaster and York, and as a result, creating the Tudor dynasty. I cried when she died in the end, even though I knew it was to be. Elizabeth of York will always be a heroine in my eyes.


Perkin Warbeck greeted by loyal subjects of 
Edward IV
Written with passion and empathy, Arnopp’s insight and extensive and faultless research shines throughout A Song of Sixpence. Arnopp has brilliantly mastered combining the story of Elizabeth of York, the eldest daughter of King Edward IV and Elizabeth Wydville, with the story of Perkin Warbeck, the most famous pretender to the throne. She cleverly uses alternating chapters between the points of view of Elizabeth and Richard (or ‘The Boy’ as the chapters are titled).  I enjoyed this refreshing format and Arnopp’s writing style. Using this layout, the author brings a voice and insight to the characters.

This is not just a novel of interpretation, but one of substance, with all that is known of Elizabeth and her new husband Henry Tudor, to the possibility of Perkin Warbeck being one of the princes taken from the Tower. A genuine page turner, A Song of Sixpence is brilliant in drawing the reader into the delicious historical detail and story, and as the author breathes life to the characters with her use of words, which are like vibrant colours on a canvas, she enables the reader to visualize the characters and ambience clearly. With empathic portrayals,  the reader experiences the intimate feelings of the characters, from their fears to their innermost thoughts and desires.

A Song of Sixpence is a stand-alone book in itself. One does not have to be an avid Tudor fan, historian, or enthusiast to enjoy this outstanding novel, which I would highly recommend to  readers of all ages and inclinations. I look forward to reading more of Arnopp’s novels and, having had the opportunity to review this masterly tome, Judith Arnopp is now on my list of favourite authors. I loved the book!


For your chance to win a FREE PAPERBACK COPY of A Song of Sixpence, simply comment below OR at this review's Facebook thread, located here

About the Author:

Judith Arnopp is the author of seven historical novels. The first three are set early in the historical calendar in Anglo-Saxon and Norman Britain; the latter books take place in Tudor England. She is currently working on a trilogy, The Beaufort Chronicles, which tells the story of Margaret Beaufort, mother of King Henry VII. Arnopp's books include:

Peaceweaver: Set during the run up to the Battle of Hastings
The Forest Dwellers: Set after the Battle of Hastings
The Song of Heledd: set in 7th century Powys
The Winchester  Goose: At the Court of Henry VIII
The Kiss of the Concubine: A Story of Anne Boleyn
Intractable Heart: The Story of Katheryn Parr
A Song of Sixpence: The Story of Elizabeth of York and Perkin Warbeck

You can find out more about Judith and her work on her webpage or blog. Her books are available at Amazon.

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Lara is a new addition to The Review and currently working on a family memoir set in Ukraine and Australia. She enjoys gardening and reading Tudor history in her spare time, and lives with two crazy cats.