Author Profile: KAREN AMINADRA

Karen Aminadra is an English author who - by her own admission - can usually be found with her head in the clouds and muttering inanely to herself.  She resides mostly in her writing cave, and is occasionally allowed to come out to eat.

Her love of reading, writing short stories and her childhood imaginary world led quite naturally to writing novels.  Encouraged to read by her bookworm father and grandmother and by winning a writing competition in just her first year of secondary school, she was spurred on, and she has been writing stories ever since.  Her love of mystery and plot twists that she put into that first story continues today.

She has travelled to and lived in many countries, not just in her imagination, and has gained an insight into people's characters that shines through her work.  Today, with her feet firmly back in England, she travels the world, the universe and in time through her imagination and her novels.

I asked Karen to tell us a little bit more about how she got started in writing:

Karen: I've always written stories and, like many authors, started novels that I never finished.  But one day, after a long chat with my sister-in-law, my first novel - Charlotte - was born.  However, like many aspiring authors I had absolutely no idea how to go about getting a book published.  I bought the Writers' and Artists' Yearbook and I made a list of publishers to sumbit my book to, but in the end I didn't do that at all.  It just so happened that Amazon had just started their Kindle Direct Publishing site, and an author friend I contacted on Facebook announced she was going to self-publish.  I didn't have a clue what that was, so I emailed her and asked.  She sent me the link and while I finished writing the book I thought long and hard about it.  Of course, I self-published and I am very glad I did.

When Charlotte Lucas married Mr Collins, she did not love him but had at least secured her future.

However, what price must she pay for that future?  She once said she was not romantic, but how true is that now after almost one year of marriage?

Mr Collins is submissive in the extreme to his patroness, and his constant simpering, fawning and deference to the overbearing and manipulative Lady Catherine de Bourgh is sure to try the patience of a saint, or at least of Catherine.

As Charlotte becomes part of Hunsford society, she discovers she is not the only one who had been forced to submit to the controlling and often hurtful hand of Lady Catherine ...

Charlotte - Pride and Prejudices Continues at Amazon.com

I asked Karen how it had felt to get her first book published.

Karen: Extremely excited!  I was bouncing all over the place.  I jumped up and down and squealed a lot!  haha!  I called a lot of people and probably sounded very silly indeed.

And was writing the second book easier or harder than the first?

Karen: Writing the second was harder because after the first, I was so excited.  I also had a lot of marketing and publicity to do for the first one at the same time.  Finding time to concentrate on writing was difficult, but I managed to get my feet back on the ground and knuckle down.

Trapped and cloistered in her own home.

Anne de Bourgh, wealthy heiress daughter of the inimitable Lady Catherine de Bourgh, yearns to be set free from her luxurious prison, Rosings Park.

Her life stretches out before her, ordered and planned, but it is a life she does not want.  She wants more.  She wants to be free.  She wants to do everything that has been forbidden her, and she wants more than anything to fall in love with whom she chooses.

Lady Catherine de Bourgh has other plans for Anne ...

Rosings - Pride and Prejudice Continues (Book Two) at Amazon.com

So who - or what - would Karen say were her main influences?

Karen: My Granny was a major influence for me.  She always had a book in her hands.  I loved to watch her read.  I still find it fascinating today - watching someone become lost within the pages of a book.  I would also claim Jane Austen, Charles Dickens, William Shakespeare, and, of course, Agatha Christie to be my influences, but everyone says that, don't they?  Throughout my life I have adored, and still adore certain books and I would be remiss if I didn't admit their influence.  Enid Blyton and Roald Dahl were a huge part of my childhood reading and I am sure they influenced me too.  My favourite when I was a child, and it's still a favourite, is The Amazing Mr Blunden by Antonia Barber.  It fascinated me.  I read it again last year, it's still a great tale.  I guess everything we read has some kind of influence - either good or bad.

What about specific influences for each book?

Karen: Of course for my Pride and Prejudice Continues series, the influence is obvious - Jane Austin's Pride and Prejudice.  However, for Relative Deceit I believe Agatha Christie was my inspiration.

Sir George, Baronet of Bancroft Hall, has run his family and their fortunes into the ground.  All seems hopeless, until they are visited by their cousin, Gregory Rogers.  He promises to return the family to their former glory, but is he all he seems?

Driven by jealousy, greed and desire, nothing will stop Gregory Rogers from taking that which he believes is his.  He'll do anything to gain money, Bancroft Hall, and the power that comes with the title of Baronet.

Even murder.

Until his eyes fall on the beautiful Jane ...

Relative Deceit at Amazon.com

I asked Karen, "If you could be compared with any writer or artist, living or dead, who would you most want it to be?"

Karen: As a writer, I would most love to be compared to someone who withstands the test of time.  I would love my books to be read by generations to come.  However, I have always been amazed and impressed by Enid Blyton.  She wrote 762 books in her lifetime.  Now she is definitely someone to be inspired by!

And does she feel that her writing, or her attitude towards her writing, has changed as she has published her books?

Karen: Yes, it has.  I don't think anyone who takes on writing as a career can fail to learn and change.  It's a steep learning curve to begin with.  I've made mistakes and I've had great successes, but I've learnt from it all.  I hope that it has made me a better writer and person.

Can she see a process of development, or a sort of "writer's journey", as she looks back over the books she's written and published?

Karen: My editor says she has seen a clear development.  I know I am improving, or perhaps I should say, developing my own style more and more as I write.  The writer's journey has only just begun, I know it's onwards and upwards.

If she had to, which of her books would she say was her favourite - and why?

Karen: That's hard.  I love them all.  Relative Deceit was the first novel I began in earnest, Charlotte was the first published, and The Uncanny Life of Polly was the most fun to write - I don't think I can pick one.  Can a mother choose her favourite child?

Polly writes chick lit and her debut novel is a worldwide bestseller.  However, something strange starts to happen when she gets back from an international book tour.  Polly finds that instead of art imitating life, her life starts to imitate art - or rather, her novel.

She arrives home to find her husband in the arms of the maid.  Wasn't that in Chapter Three of her book, Happily Ever After?

Her best friend is having an affair with her husband, too, and is pregnant!  Isn't that in Chapter Four?

Then she meets a bronzed Greek and embarks on a passionate love affair.  Wasn't that in Chapter Seven?

Will anyone believe her life is mirroring her novel?  Can she prevent the ultimate tragedy or must the book play out, precisely as she wrote it, to the bitter end? ...

The Uncanny Life of Polly at Amazon.com

I asked Karen what has been her favourite bit of feedback/criticism so far?

Karen: Recently, I discovered a review from an author I know of.  She said how much she loves my work and would like to see me expand and grow.  That's nice to hear from a fellow author.  I also love being told that a reader couldn't put the book down - that makes all the hard work worthwhile!

Does she have a favourite quote - from a review, or something that somebody said about her books or her writing?

Karen: One of my favourites came from a lady who told me never to stop writing, not even to sleep, because she needed more - that made me laugh!

And is there something that someone said about her books that made her laugh/fume/puzzled?

Karen: One reviewer - supposedly a professional reviewer, ranted and raved about how I put 19th century sensibilities on a 19th century girl ... yes, it left me scratching my head, so I read on.  It turned out that the reviewer wanted the heroine to be a 21st century woman and kick butt.  Of course, I didn't do that in the book and she was annoyed about it.  That made me a little mad - the book is historical.  People in the past didn't act like we do.  I am sure we'd shock them.  But, ho hum ... we live and learn.

Is she working on anything at the moment?  What comes next?

Karen: I am working on two projects at the moment, as insane as that sounds.  I am writing book 3 in my Pride and Prejudice Continues series and I am writing the first novel under a pen name.  I also have a spin-off of Relative Deceit that is finished and ready to publish.

Is there a dream - an ultimate ambition - that she is working towards?

Karen: I want to write, what I call, more serious hist-fic.  I have a series planned set in the Scottish War of Independence.  It's a lot darker and bloodier, of course, but it's also more exciting.  I feel it marks a new maturity in my writing which I hope will continue.  Eventually, I would like to write more series like that.  My main goal, is to keep on writing!

Karen has kindly offered to giveaway one or more .mobi (Kindle) editions of her novels.  To be in with a chance to win just leave a comment on this blog or on our Facebook page.  You can also keep up with Karen and her writing at Karen's blog.

Many thanks to Karen, and all best wishes for her writing career!





Interview with Judith Arnopp

My interview with Judith Arnopp

by Karen Aminadra

Judith is also giving away a copy of one of her books. the winner gets to choose which one! Check in at the Facebook page for details of how to win. 

*Please note - this giveaway is no longer valid

It's my pleasure and privilege to interview a wonderful author - Judith Arnopp! 

How did you become an author? Was it something you always wanted to do?

Well, it is something I’ve always done.  As a child I was very influenced by C. S. Lewis’ Chronicles of Narnia and made up stories based on that.  Then, as a teenager I wrote lurid romances, and while my children were growing up I turned to adventures using them as the main characters. Writing has always seemed the natural thing for me to do so I don’t think I ever made a conscious decision to do it.  I never let anyone read it until I was in my forties when I did creative writing as part of my studies.  Then my writing group encouraged me to publish but it wasn’t until I’d completed my studies that I turned to writing seriously.

What is it about Welsh history that attracts you?

I think its living here, surrounded by the culture, treading in the footsteps of Welsh heroes. There is hardly a hill you can walk around here without stumbling upon a ruined castle or a stone circle or a hillfort.  My home is quite remote and although modernisms are creeping into the area now it is largely unspoiled.  It is possible to see the past quite clearly in both the architecture and the landscape. I have a thing about earthworks and ancient churches and there is nowhere like a mouldering graveyard to feel the people of the past peering over your shoulder. I sit quietly and listen while they tell me stuff. 

Explain a little about Welsh pronunciation in your books.  For example, how do you pronounce Heledd?

I knew the names could be a problem for non-Welsh readers so I included a pronunciation table at the front of The Song of Heledd but, of course, as Welsh isn’t my first language, I could well be miles out although I did consult a Welsh friend. Heledd, I believe, is pronounced Hell – eth.

Tell us a little about the poems Canu Llywarch Hen and Canu Heledd.

The basis of Heledd’s story come from fragments of Welsh poetry known as Canu Heledd and Marwnad Cynddylan. The poem, and others relating to Heledd and Pengwern, can be found in The Red Book of Hergest. The Red Book of Hergest dates from the 14-15th centuries but the poems themselves are believed to have been written in the 9th century, although set in the 7th. The poems were probably part of an older oral tradition, recorded and transcribed in the medieval period.

There are very few female dialogues in the saga tradition and, apart from this poem, women do not speak or appear. Sole survivors of disaster are not uncommon but female survivors are. This dispensing with tradition suggested to me that Heledd’s story could perhaps be a historical event that has passed down through the oral tradition to become legend. The poem itself is historically inaccurate, even in those days literature was written for entertainment not to enter the historical record.

When the poems are read alongside the historical documents of the time, they complement eachother, and this is what I did to come up with a fictional account of Heledd’s life. It is a complicated period of history, largely impenetrable by modern society and to that end I have simplified many place names and the names of the peoples who inhabit it. The Song of Heledd concentrates more upon how it might have felt to play a female role within that society rather than how events really happened. History is an unknown place, full of half truths and many opposing opinions and this just forms my own version of an obscure truth and is a fiction.

Your books also are about the Anglo-saxons and the Normans, what draws you to them?

I became interested in Anglo-Saxon poetry while I was at university and learned about the culture and heroic tradition. Although it was a violent society, they struck me as a noble, very proud people and, compared to the Normans, their justice system was fair. Under the Norman regime ordinary people were oppressed but beneath Anglo-Saxon rule low status people had rights and even women and slaves had a fairer deal.

When I was about seven years old I did a school project on the Norman invasion and fell in love with King Harold. Since then I’ve read every book, fiction and non-fiction, about him that I could lay hands on. It seemed natural to make him part of my first novel. He and Richard the Third are my heroes. I guess I just love an underdog.

Can you explain for our readers what Gruffydd ap Llewellyn means?

The ap in Gruffydd ap Llewellyn means ‘son of’ so it means Gruffydd son of Llewellyn. He was the first leader to rule the whole of Wales but he was never referred to as ‘king’ although that was his role. He is often mixed up with Llewellyn ap Gruffydd, another Welsh leader of similar name who appears in history a few hundred years later. When they named their children they didn’t make things easy for us, did they?

You have 6 books out now, which is your favourite?

Ooh, that is a hard question. I think my favourite is whichever one I am writing when the question is asked. They are all so different but I suppose it is to do with the characters. Most of my protagonists are anti-heroines to an extent. In Peaceweaver, Eadgyth is hugely annoying. We meet her first as a complaining teenager (hormones don’t change) and see her grow into a stubborn, flawed adult. Her journey from girl to womanhood is complete when the story ends in her twenty-first year. In the course of ten years she marries and buries two kings, births five children and her status declines from Queen to exile. She has learned her lessons.

The Forest Dwellers is set after the conquest in what we now know of as The New Forest. The Saxons are oppressed, evicted from their homes and forced to live in servitude but Ælf and Alys fight on against their oppressors, both using very different weapons. Ælf is justifiably angry and will punch anyone who asks for it and Alys has learned to use her pretty face and neat figure to survive. I love the story and although I had a few publishing issues with it to begin with, the whole thing has been revised now and the new edition is much better for it.

The Song of Heledd is a lament for lost things. Heledd has seen her dynasty, her youth, her family destroyed by fault of her own. She has some harsh lessons and she learns them the hard way. The story is set at the transition between the pagan and Christian religion and looks at the resulting confusion and chaos until ultimately Heledd is forced, quite horribly, to admit the new God into her heart. She has the harshest lessons of all I think.

The Winchester Goose, my latest, is more light hearted, although still replete with beheadings and suffering.

Which was the hardest for you to write?

Peaceweaver was the hardest and I will always have a soft spot for it. As you know, when writing your first novel you not only have to learn the formula of getting your writing into book form but the discipline of sitting down every day and just getting on with it. It took me about three years, I suppose. One year of research, one year writing and one year editing and rewriting. It hasn’t taken the world by storm but world domination isn’t really what I’m aiming for. Peaceweaver won me a small group of readers who wait eagerly for my next book and it is their praise that keeps me writing more.

A Tapestry of Time is a collection of short stories, how did that come about?

 I find editing my novels to be quite stifling creatively so to prevent myself from going nuts during those periods, I write shorts. I’ve had a few published in various magazines etc but it isn’t easy finding publications that take historical shorts. As my hard drive is stuffed with unpublished stories it made sense to do something positive with them. I think it was a good decision as many Kindle owners read on trains or planes or while they eat lunch and want a quick hit, so short story collections sell well and, at the same time, introduce my work to people that may otherwise have not heard of me. Many of my readers have progressed from the short story collections to my full-length novels.

Do you find short stories easy to write?

Usually, but I do have quite a few that will never see the light of day.  I find once I have a title or a few words on the page, the rest follows of its own accord. Then I put them away and bring them out later to edit when I’ve distanced myself from them. I belong to a local writing group The Cwrtnewydd Scribblers and we are set ‘homework’ once a week. Often something comes of those pieces.

Again Dear Henry: Confessions of the Queens is a collection of short stories and a current bestseller – why did you choose to write that? 

 I wrote Dear Henry: Confessions of the Queens in a workshop situation, no research, no plan, just straight out of my head. It just came out, practically as it stands apart from the quotes from letters that were added later. It was so well received by members of the group and online sites that I was encouraged to publish it as an e-book. I didn’t expect it to do anything. It went out free at first and my readers loved it, so instead of pulling it, I kept in on Kindle. It is my best seller by far and is as cheap as I can get it. Historical novelists and historians don’t rate it because it isn’t accurate but most readers love it and, after reading it, go on to buy my other novels. I have had so many requests for it as a ‘proper book’ that it will be available in paperback soon. It is very short, just a pamphlet really but it has caused me the most anguish, some reviewers are very rude which can be hard to take. Constructive criticism is always welcome but insults help no one and say more about the reviewer than they do me. In hindsight maybe I should have polished it up more but it isn’t meant as history, more as an examination of the psychological strain of living with a monster. I do stress whenever I can that I write fiction. If you want to learn history read a non-fiction history or go to classes. My books are intended for entertainment alone.

Your books are often described as ‘un-put-down-able’, why do you think that is?

I’m not sure. Lots of people have said that they flow rather well. Maybe it’s because I write in the first person and involve the reader directly in the action. I write my novels as if I am sitting in a room with the narrator and she or he (I often write as a male) is telling me their story. I am just a sort of medium, I suppose.

Also, again because they are in the first person, they are not overly descriptive. If you were to describe yourself going into your kitchen to make a cup of coffee you wouldn’t give extravagant details of the make of kettle or how the water manages to appear as if by magic from the taps. These things are all familiar to you and you don’t notice them. It’s the same with Heledd and Eadgyth and Ælf. When they move through their world they are used to the decorations in the hall and the way the walls are constructed. I give the reader enough of a picture to know where and when they are but it is the thoughts and feelings and motivations of my characters that are primary.

What hints and tips can you give to aspiring or new authors?

I’m a new author myself so I could do with someone giving some to me – ha ha. I would say, first of all, sit down and write. You aren’t a writer unless you do so. Then I would say, never think your writing is good enough. All writers, even the most successful of us, should strive for improvement so join a writing group and keep going to writing courses. Read the competition and keep writing, writing, writing. It is the best way to improve. There should never come a time when you feel you can sit back and stop trying to develop.

Editing is more important than I can say and you cannot do it yourself. I find uploading my manuscript to my kindle helps me to distance myself from the work and errors and typos then stand out much better. Get your manuscript as perfect as you can before it goes to the editor and then have it edited again before you send it off or self-publish. Once it is out there and you flick through it, you will find typos and small formatting mistakes and, if you are self-published, there are critics that will slaughter you for this. Ignore them and make your next book even better.

What are you working on now?

My current work in progress is The Kiss of the Concubine about Anne Boleyn.  You may wonder why I chose to write a novel about Anne Boleyn when there have been many other books written about her. She has been interpreted so many different ways but we never seem to tire of her. She holds an endless fascination for us.

Anne is often depicted as ambitious and greedy for power, and some authors have even given credence to accusations of witchcraft. There are endless stories in which she stoops to murder, treason and even incest but there is not one scrap of historical evidence that she was guilty of any of this.

Most of us are familiar with her story, or think we are. She captured the heart of Henry VIII, prompted his divorce from Catherine of Aragon and then failed to produce the promised heir, dying for the lack on the scaffold. But we can never really ‘know’ Anne’s story and, thanks to generations of misinterpretation, it is now almost impossible to reach her.

Since her death in 1536 she has become a synonym for evil; a seductress, an adulteress who will stop at nothing to get what she wants. In my novel I wanted to see if I could come a little closer to the real Anne. She was not a saint, not wholly innocent but certainly not guilty of the crimes she was indicted for. The Kiss of the Concubine strips away the filth that has stuck to her image, to show an ordinary woman. An intelligent girl, bred for a lucrative marriage, eager to use her position to promote church reform, aid education, assist the poor, and most of all, leave a positive mark on the historic record.

Unfortunately, after her death, her enemies painted her in very bleak colours and it wasn’t until her daughter, Elizabeth I, came to the throne that a new Anne began to emerge.

In captivating the king, the course of Anne’s life changed forever. His interest ensured she was out of the reach of other suitors and the chance of respectable marriage was removed. She could either remain chaste, become the king’s concubine – or she could marry him. With her siblings, George and Mary in tow Anne climbed high, misjudged her enemies and fell hard. Perhaps not the arrogant, immoral fortune hunter we are used to reading about but an intelligent woman, caught up in the fluctuating tide of power that surrounded the Tudor throne. 

The Kiss of the Concubine will be out soon!

What are your writing plans for the future?

Well, I had better not stop. If I can’t find the time to write I get very growly and not nice to be near so my husband, for his own sake, is very supportive. I am lucky to be able to write full time and hopefully that will continue.

I have nothing planned yet but each of my books have grown from another so I have confidence that, somewhere along the line, an idea will germinate from The Winchester Goose.

Even if I stopped publishing my work, I can’t imagine ever not writing at all. It is the creative process that I love, it’s more important to me than hitting the big time. It is a sad fact that many high earning authors are so pushed around by the publishers that their writing is suffering and readers are noticing this. More and more people in search of well-written, innovative novels are learning that the best place to look is among independent writers. I would like my books to be among them.

Check out the trailer for The Kiss of the Concubine....

It was an absolute pleasure interviewing Judith Arnopp and she is willing to giveaway one of her books - the winner gets to choose which one.  To enter, pop over to Facebook for your chance to win!

To find out more about her:

Click here to see her blog.

Follow her on Twitter.

Check out her books on Amazon.

Interview by Karen Aminadra.